This follow-up to 1984 Narcs hit ‘Heart and Soul’ marked the first single off the trio’s second album. Recorded with US engineer Tim Kramer, 'Diamonds on China' got to 15 on the New Zealand charts. Influenced by Brit pop band Go West, 'Diamonds' is full of punchy guitar and synthesizers. Prolific music video director Fane Flaws showcases massed horns, street racing video games, his own distinctive illustrations, and drumsticks hitting the skins "like diamonds on china". Flaws' efforts resulted in one of his first accolades: Video of the Year at the 1985 NZ Music Awards.
On ‘Chrysalis’ Wellington producer Benny Tones creates a warm, electronic blend of hip-hop and funk (and 80s video game sound effects) for co-writer Sacha Vee’s soulful vocals. Director Jessica Sanderson (granddaughter of actor Martyn Sanderson) opens her video with Benny walking through darkened inner city Wellington streets. The third busker that he passes morphs into and out of a resplendent, glittering Sacha Vee (and the Legacy Dance Crew) in a hyper-real world which celebrates the creativity of street performers too often ignored by passersby.
Director Tom Gould takes hip hop to the Hokianga in his promo for the 2013 David Dallas single. Framed around Dallas rapping in historic St Gabriel’s Church, it lays the song’s urban R&B over images of the title activity — a young boy runnin' free on a Mitimiti road, and galloping horses on a far northern beach. Gould: "I wanted to film something that was bigger than just a human running. I wanted the visual to escalate in the same way that the song does." The video is nominated for a 2014 Tui Award; the song featured on the soundtrack of video game FIFA 14.
Made for the Rio 2016 Paralympic Games, this video mixes Kiwi landscapes with images of disabled athletes and performers, showing what they are capable of. The song’s lead vocalists, Natalie Te Paa and Cam Dawson, are both blind. Helping out behind the scenes are Callum Martin (The Checks), Leza Corban (Strawpeople) and ex-Split Enz members Eddie Rayner and Mike Chunn. As well as being an unofficial anthem for the Rio Olympics, the song aims to raise awareness of the 25% of New Zealanders who live with some form of disability.
A last-minute addition to their 1979 album Graffiti Crimes, 'Computer Games' was a huge hit for Mi-Sex, reaching number one in Australia, two in Canada and five in NZ. Computers and arcade games were a real novelty in 1979 and the band's synth-driven sounds were a perfect match. The video starts with the band breaking into the Sydney data centre for then-supercomputer giant ControlData. Printers spew paper forth, and as the band performs, old school graphics including a driving game and TIE fighters, are projected behind them. Advance one level on green!
For this lush, spacious ballad, then teenage director Paul Middleditch continues the striking visual style he had established a year earlier with his video for previous Tex Pistol hit, 'The Game of Love'. Tex (Ian Morris) wears the same outfit, while his brother Rikki is clad in the reverse — white shirt and black jeans. Backing vocalist Callie Blood appears again (although she didn't actually sing on this recording), a choir of children is added, and some behind-the-scenes shots of the crew — but the set is free of surface water or falling rain this time.
Mi-Sex moved further into the futuristic sci-fi world signalled by their hit single ‘Computer Games’ with the release of their chart topping second album Space Race in 1980. The lead-off single ‘People’ emerged at a time when the world was still coming to grips with cloning, genetic engineering and test tube babies. The video showcases the band’s well honed combination of techno-pop and the more straight ahead rock’n’roll beloved of Australian pub audiences — with some visual special effects reserved for the future shock of the spoken segment.
The video for Tex Pistol's chart-topping, electro-pop tinged remake of 'The Game of Love' is a stylish triumph for budding teenage director Paul Middleditch - and one of the high points of New Zealand music video making in the 1980s. Tex Pistol, aka former member of Th'Dudes Ian Morris, is dressed in black and white with silver tipped cowboy boots and big red semi-acoustic guitar; while the soundstage, covered in a sheen of water, and blacked out except for a handful of spotlights, is all reflective surfaces for Morris and backing vocalist Callie Blood.
Taking as its subjects a boy discovering new sounds on the radio and a soundtrack that gives purpose to a woman’s life, ‘Misty Frequencies’ is a soulful hip-hop hymn to the power of music. Che Fu’s music video places the singer and his band in a giant Tetris-like computer game before plugging into a bush setting (locations representing his musical yin and yang of technology and passion?). A magic mushroom prefigures the tree ferns collapsing in a heap of CGI bricks. ‘Misty Frequencies’ won the 2002 APRA Silver Scroll for Che Fu and co-writer Godfrey de Grut.
This Chong-Nee music video pays tribute to a young pole dancer who is a "master of her game". Skater turned TV presenter (Target) and nightclub operator (The Pony Club) Brooke Howard-Smith plays a fan paying for a visit, while Dei Hamo grabs a comfortable seat nearby to provide guest vocals. Musician and producer John Chong-Nee had collaborated with Dei Hamo before this track — the pair worked together on 'We Gon Ride', which topped the Kiwi singles charts for five weeks in late 2004.