This 1978 single marked the first number one for the Kiwi prog rockers turned Australian pop stars. It danced around the age of consent (the first line of the song gave the impression the narrator may be in jail). Later the song became the theme tune for 2012 Aussie TV show Puberty Blues. A time capsule of 70s Melbourne, the clip opens on singer Marc Hunter aimlessly wandering the city's streets and tramways, before transitioning to a glossier studio performance. Like many of the band's biggest hits, the song was written by Dragon's resident hook-writer, keyboardist Paul Hewson.
The Crocodiles were on tour supporting their second album, Looking at Ourselves, when this video was shot in Dunedin. Though he’d left the touring unit, Fane Flaws still provided material and was co-writer of ‘Telephone Lover’. Dunedin’s old Bing Harris Sargood building provides the backdrop for most of the video, while the ‘live’ sections were shot at the now-defunct Shoreline Tavern. Dunedin cameraman Peter Janes directed and filmed the segment for regional news programme The South Tonight.
On ‘Chrysalis’ Wellington producer Benny Tones creates a warm, electronic blend of hip-hop and funk (and 80s video game sound effects) for co-writer Sacha Vee’s soulful vocals. Director Jessica Sanderson (granddaughter of actor Martyn Sanderson) opens her video with Benny walking through darkened inner city Wellington streets. The third busker that he passes morphs into and out of a resplendent, glittering Sacha Vee (and the Legacy Dance Crew) in a hyper-real world which celebrates the creativity of street performers too often ignored by passersby.
This song is taken from the only new album released in the 1990s by Kiwi music legends Hello Sailor. In an AudioCulture profile of the band, writer Murray Cammick praised the Dave McArtney-penned track as one of two strong additions to the Hello Sailor canon (alongside song 'New Tattoo', also from 1994). The music video features the band playing (on a Ponsonby street, in a derelict building) intercut with archive clips (famous sporting moments, returned servicemen, Edmund Hillary, hikoi, the Beatles tour), echoing the song’s lyrical themes of waning memories and nostalgia.
The original concept for this video involved a girl in love with a wētā. Sadly the wētā has an affair with a horse. Consequently the girl tries to metamorphosise into an insect to be with her love. Bressa Creeting Cake formed in 1991 but with a different name: Breast Secreting Cake. After signing to Flying Nun Records and changing their name, they released their self-titled debut album in 1997. Band members Geoff Maddock and Joel Wilton went onto form Goldenhorse, with writer Kirsten Morrell and guitarist/vocalist Ben King.
This dance pop anthem was a number one for the reality TV series-generated act TrueBliss — and the biggest selling single by a New Zealand artist in 1999. It was written (like most of the TrueBliss album) by Anthony Ioasa, an APRA Silver Scroll winning co-writer for Strawpeople's 'Sweet Disorder'. The video features a girls' night in slumber party, complete with home movies, hairbrush microphones, pillow fights, dress-ups, American Indian head-dresses and hula dancing. There is also quite a lot of moody introspection for what is essentially an unabashed love song.
'I Need Your Love' marked the biggest hit for the Kaukau brothers, and vocalist Karl Gordon. This performance sees Gordon grooving in satin blue waistcoat and bellbottoms, while Kevin Kaukau sneaks in a few guitar tricks inspired by Jimi Hendrix, on a guitar with an unusual attachment. Rip it Up writer Ken Williams described how the song's "ethereal, even fragile, drone jumped off the radio". It was judged Single of the Year at the 1978 NZ Music Awards; the band can be seen winning the award in the closing minutes of the Ready to Roll telecast from which this clip is taken.
The Mockers were at the peak of their mid-80s pop prowess when they released this single. It originated with Andrew Fagan’s Wellington based co-writer Gary Curtis hearing reports of the 1984 Queen Street riot in Auckland (after an outdoor concert which had featured The Mockers). The music video places the band amongst the lions, acrobats, rides and sideshows of the now defunct Whirling Brothers Circus (set up in Victoria Park in inner city Auckland). Fagan is resplendent in a velvet frock coat with lace cuffs, black choker and matching nail polish.
The video for 'Cool World' melds a mood of paranoia — including flashes of recording equipment, and worried words about surveillance — with numerous images of a model in a silver halter top, dealing to a punching bag. The Samoan brothers Ioasa create a smoothly percussive sound, which echoes overseas bands like Roxy Music and The Blue Nile much more strongly than other music coming out of Aotearoa in this period (1995). The song is taken from Grace's only album Black Sand Shore, which writer Nick Bollinger later rated as one of New Zealand's 100 finest.
Prank phone calls were more radio DJ Kevin Black’s on-air stock in trade, but he fronted an unlikely Top 20 hit with this spoof of Deane Waretini’s 1981 chart topper ‘The Bridge’. With more than a little help from his Radio Hauraki creative team, a plea for cross cultural harmony was transformed into a novelty song celebration of a largely unsung domestic appliance. Blackie was front and centre with the souped up fridge in the video shot by TVNZ in Wellington, but producer Kim Adamson was the singer and co-writer (in addition to playing the dodgy salesman).