After stints in the merchant navy and the British film industry, Steve Locker-Lampson began a new life in New Zealand in the 60s, heading the camera department at indie production house Pacific Films. The following decade he forged a reputation as one of the country's pioneer aerial cameramen, and worked behind the scenes on movies Solo and Smash Palace. Locker-Lampson passed away in October 2012.
A National Film Unit cameraman for 36 years, Brian Cross worked on a large number of films, ranging from royal tours and rugby tours to industrial progress in forestry and electricity transmission, some as cameraman and director. He is particularly remembered for his record of the maiden voyage of HMNZS. Otago, and for his many films of New Zealand railways.Image credit: Archives New Zealand, ref AAQT 6421 B18889
As the final manager of the National Film Unit, Doug Eckhoff had the unenviable task of presiding over its demise as the government’s film production agency, and the sale of its assets. Earlier he was a key figure in television news, from the days of the NZ Broadcasting Corporation through to the birth of Television New Zealand. He was also a long-serving trustee of the New Zealand Film Archive (now Ngā Taonga).
Television experience with the BBC helped David Pumphrey win a job in Kiwi television, soon after he returned to New Zealand in 1959. He went on to produce children's shows, live broadcasts, and Montage — forerunner to magazine show Town and Around. Pumphrey also worked on the first TV broadcasts by celebrity cook Graham Kerr, and directed for high profile current affairs shows Compass and Gallery.
During his 34 years as a National Film Unit cameraman, Kell Fowler filmed throughout New Zealand, and travelled as far afield as China and the South Pole. Career highlights included his work as cameraman and director of Oscar-nominated Antarctic film One Hundred and Forty Days Under the World (1964), and the filming of the sweeping three-screen vistas that featured in Expo 70 hit This is New Zealand.
Dropping in on the Americans at the South Pole for afternoon tea, having driven there by tractor, was one of the most unusual events of Derek Wright's career as a National Film Unit cameraman. In his 40 years with the NFU he filled many other roles, from laboratory assistant to producer: but it is for his filming in the Antarctic that he is particularly remembered.
Veteran cameraman Waynne Williams, MNZM, has shot everything from the Vietnam War and French nuclear testing to the Christchurch quake, TV drama Pukemanu and Australian movie The Box. Over more than half a century, Williams has worked on over 10,000 news stories. The Christchurch-based lensman runs Port Hills productions with partner Anne Williams.
Peter Metcalf has four decades of experience in making it all look seamless. After 20 years in state television, he became TV3’s first Head Video Editor in Wellington. His credits include classics like Country Calendar and Kaleidoscope, plus Great War Stories, 35 short documentaries for TV3 commemorating the First World War. He also helped launch successful post-production suite Blue Bicycle Flicks.
Jono Smith was 14 when he won the starring role as teenager Ned Poindexter in 50s-era coming of age classic The Scarecrow. After leaving school, Smith joined TVNZ and became a camera assistant. Since relocating to England in 1993 he has shot a raft of television projects, short films, and four features. In 2010 he co-produced acclaimed movie Sus.
Using the power of documentary film Frank Chilton made a difference to the lives of disabled children in New Zealand and around the world. The films he directed for the National Film Unit won many awards and he was honoured by the Queen with an OBE for services to the handicapped.