Being a big man with a “face like the map of Ireland” made him an unlikely starter, but in the mid-70s Glyn Tucker was one of New Zealand’s best known screen personalities. The larger-than-life character was a racing guru, and also a popular radio then TV presenter: his television roles ranged across sports commentator, punting pundit, crooner and light entertainment show host.
For 20 years Kathleen O'Brien was the only woman director at the government's National Film Unit. Her films were invited to festivals overseas. Known for her work involving children and education, O'Brien's directed comical road safety short Monkey Tale (1952), and the moving Story of Seven Hundred Polish Children (1966).
Paula Boock — who runs production company Lippy Pictures with Donna Malane — has won awards both for her scripts and her novels for young adults. Boock’s screenwriting resume includes The Strip, innovative drama The Insiders Guide to Happiness, plus award-winning tele-movies Jean, Bloodlines and Until Proven Innocent.
Brad McGann's debut feature In My Father's Den won awards in Germany, China, England, Canada, the United States, and New Zealand; The Australian reviewer called it "one of the best films I have ever seen". McGann had earlier won acclaim for his moody fourth short Possum (1997). McGann passed away from cancer in May 2007. He was only 43.
Enid Eiriksson began working in the design department in the early days of second channel South Pacific Television. She went on to design costumes for classic fashion showcase Gloss and award-winning drama Children of Fire Mountain, plus a slew of popular entertainers — including Billy T James, The Yandall Sisters and Prince Tui Teka.
Kirsty Cameron started in short film and art installation, before costume designing the first of around 20 feature films — including the acclaimed Whale Rider, Slow West, and No. 2. Her list of awards also includes The Orator and TV movie Jean, about aviator Jean Batten. Cameron's third short as writer/ director, teen fable The Lethal Innocents, was invited to festivals in Sweden, Germany and the USA.
Russell Campbell has been analysing film and television for more than four decades. A longtime lecturer in film at Victoria University, Campbell’s books include Observations, a volume on New Zealand documentary — a field in which he has extensive first-hand experience.