Russell Campbell has been analysing film and television for more than four decades. A longtime lecturer in film at Victoria University, Campbell’s books include Observations, a volume on New Zealand documentary — a field in which he has extensive first-hand experience.
Veteran producer Tom Parkinson has worked with some of New Zealand television's most popular comedians, including David McPhail, Jon Gadsby, and the late Billy T James (who he discovered in an Avondale Rugby League club). He also directed adventure series Hunter's Gold — whose international success helped launch a run of Kiwi-made children's dramas — and produced many international co-productions.
As longtime presenter of alternative music show Radio With Pictures, Karyn Hay won fame for daring to speak in her own accent. Since leaving the show in the late 80s, Hay has worked on both sides of the microphone, directing music videos, managing radio station Kiwi FM and writing award-winning novel Emerald Budgies.
Brad McGann's debut feature In My Father's Den won awards in Germany, China, England, Canada, the United States, and New Zealand; The Australian reviewer called it "one of the best films I have ever seen". McGann had earlier won acclaim for his moody fourth short Possum (1997). McGann passed away from cancer in May 2007. He was only 43.
Paula Boock — who runs production company Lippy Pictures with Donna Malane — has won awards both for her scripts and her novels for young adults. Boock’s screenwriting resume includes The Strip, innovative drama The Insiders Guide to Happiness, plus award-winning tele-movies Jean, Bloodlines and Until Proven Innocent.
Being a big man with a “face like the map of Ireland” made him an unlikely starter, but in the mid-70s Glyn Tucker was one of New Zealand’s best known screen personalities. The larger-than-life character was a racing guru, and also a popular radio then TV presenter: his television roles ranged across sports commentator, punting pundit, crooner and light entertainment show host.
For 20 years Kathleen O'Brien was the only woman director at the government's National Film Unit. Her films were invited to festivals overseas. Known for her work involving children and education, O'Brien's directed comical road safety short Monkey Tale (1952), and the moving Story of Seven Hundred Polish Children (1966).