Phillip Gordon began his screen career with 70s soap Close to Home, then won fame in the mid 80s with two different roles: playing conman Cyril Kidman in hit period comedy Came a Hot Friday, and starring in Wellington-set TV series Inside Straight. He went on to act on both sides of the Tasman.
Tom Finlayson has worked in television in almost every capacity: as a reporter and producer in the cauldron of daily news, developing and producing classic drama shows (Under the Mountain, Mortimer's Patch) and movies, directing documentaries (The Party's Over) — as well as commissioning programmes, during a three year stint as TVNZ’s Director of Production.
If director and producer Peter Coates was a superhero, he’d surely be ‘Renaissance Man’. His contribution to championing the arts on television is arguably heroic, and his career multi-faceted. From 1971 to 2004 Coates produced, directed or scripted hundreds of TV productions covering a smorgasbord of topics, from operas to soap operas, and from portraits of New Zealand artists to rugby coaching films.
The screen career of award-winning broadcaster Linda Clark spans seven years as TVNZ’s political editor in the 90s, nine elections, and hosting several current affairs shows (Crossfire, Face the Nation, The Vote). She has also fronted RNZ’s Nine to Noon, and edited Grace magazine. In 2006 Clark retrained as a lawyer. Clark continues to be a political commentator, while working for law firm Kensington Swan.
Bill Sheat has applied his legal and organisational skills across the arts in Aotearoa, to influential effect. He was pivotal in the setting up the NZ Film Commission, and was its inaugural chair from 1978 to 1985. Sheat also spent time as chair of the Queen Elizabeth ll Arts Council, helped fund John O’Shea's 1960s musical Don't Let it Get You, and played a role in ushering Geoff Murphy’s Goodbye Pork Pie to the screen.
Tony Williams' contribution to the development of NZ film and television has been huge: his camerawork for John O'Shea's 60s feature-films, the nine ground-breaking documentaries he directed for Pacific Films, and his feature Solo, which helped launch the 70s new wave. After moving to Australia in 1980, Williams continued to wield a lively influence on our culture by directing many legendary commercials.