Producer Fiona Copland is noted for quirky and ambitious films, many of them made with first-time directors. 2009's The Strength of Water won praise at festivals in Rotterdam and Berlin, while multi-stranded narrative feature Matariki arrived in New Zealand theatres in 2010 via the Toronto Film Festival. These days she is part of company Field Theory, with producers Philippa Campbell and Tim Sanders.
Alongside partner Shane Loader, Andrea Bosshard makes and distributes films through indie filmmaking initiative Torchlight Films. Dominion Post critic Graeme Tuckett called the pair's second feature Hook, Line and Sinker “likeable, admirable and hugely enjoyable”. Third feature The Great Maiden's Blush was released to acclaim — and awards — in 2016.
The voice and face of Ian Johnstone are a familiar part of the New Zealand television landscape. Since the early 60s, his work as a reporter, presenter and producer has allowed him to document many key events from the first four decades of local television.
Wellington-raised producer Debra Kelleher has more than three decades experience in the screen industry. She cut her production teeth in Australia (Neighbours, Sale of the Century), before returning home to work on Shortland Street, then cult teen show The Tribe. Kelleher was at the helm of breakfast TV show Good Morning, and five seasons of flagship TVNZ show Dancing with The Stars.
From The Governor to The Lord of the Rings, Martyn Sanderson's distinctive voice and sideburns were part of New Zealand's screen landscape for three decades. His work ranged from the experimental to the mainstream, including directing feature films (Flying Fox in a Freedom Tree) and personal documentaries.
Peter Hayden’s long storytelling career spans fact, fiction, feather and fur. Hayden has worked extensively behind the scenes on a run of nature documentaries, made for company NHNZ. His acting career includes roles in classic goldmining drama Illustrious Energy and Maurice Gee series The Fire-Raiser. In 2017 Hayden was made a Member of the New Zealand Order of Merit, for services to film and television.
Television veteran Robert Boyd-Bell's eclectic screen career includes 14 years in journalism, followed by time in academia, public service TV, and producing. Which is not to forget writing landmark book New Zealand Television – The First 25 Years. Boyd-Bell joined the state broadcaster in 1965, and later headed TV One's northern newsroom. He also has an extensive involvement in delivering programmes online.
Actor Frank Whitten first won attention in 1984, playing the enigmatic farmer in Vincent Ward's breakthrough feature Vigil. Later he was known to many for his role as the Southern Man in the Speights "onya mate" commercials, and his ongoing appearances in Outrageous Fortune, playing the manipulative grandfather to the West clan. He died in February 2011.
Sam Pillsbury's The Scarecrow was the first Kiwi movie to win invitation to the prestigious Cannes Film Festival. Starting at government filmmaking body the Natonal Film Unit, the part-Kiwi, part-American dlrector worked in documentary — including helming the controversial Birth with Dr. R.D. Laing — before making a run of feature films and TV movies, both in New Zealand and North America.
Tim Balme burst onto the big screen as the hapless young man fighting off zombies with lawnmowers, in Peter Jackson's Braindead. He went on to roles on TV's Mercy Peak, Shortland Street and Maddigan's Quest, alongside gigs as a writer (Outrageous Fortune) and time as Head of Development for South Pacific Pictures.