A passionate advocate for Māori creative control, director Merata Mita (1942 — 2010) chronicled landmark moments of protest and division in Aotearoa. Her work included Patu!, a documentary on the 1981 Springbok tour, and Mauri (1988), only the second feature to have a Māori woman as director. She features in documentaries Merata: How Mum Decolonised the Screen and Merata Mita - Making Waves.
Nicola Castle began her career as an editor, achieving recognition at the 2011 NZ Television awards for cutting award-winners The Green Chain and Whare Taonga. In 2015 she directed short film Madness Made Me for online series Loading Docs, about a woman's time in a mental hospital. Castle splits her time between Auckland and Melbourne, and holds a Masters in Screen Production from Auckland University.
Starring one cow and two elderly guitarists, Michael Bennett's first short film Cow was invited to screen at the 2002 Cannes Film Festival. Since then he has written and/or directed a wide range of projects, from children's television (Kaitangata Twitch) to award-winning shows about Māori architecture (Whare Māori). His feature film work includes ensemble feature Matariki, and the script for Cliff Curtis comedy Jubilee.
Rewa Harre's work as camera operator and cinematographer encompasses documentary, shorts, commercials, and dramas for the big and small screen. Harre has worked extensively with directors Sima Urale (shooting acclaimed short O Tamaiti, and winning a Qantas Award in 2009 for her debut feature Apron Strings) and Athina Tsoulis (for whom he made his own feature debut, 1998's ensemble romp I'll Make You Happy).
Orlando Stewart has appeared in various mockumentary series (including Wayne Anderson) as a reporter, talent manager, and 'marketing director', handing out pizza flyers in Pakuranga. As he says, “it’s kind of fun blurring the lines between yourself and a character”. Stewart wrote and starred in oddball series Rural Drift, and acted in short film The Dump, which he also produced. Later he directed documentary Sonics from Scratch with Simon Ogston, which screened at the 2015 New Zealand Film Festival. The film explores the life and work of experimental artist Philip Dadson.
Producer Meg Douglas began in television as a teenage reporter, before heading behind the camera as an adult. Since then she has worked in a variety of roles — from researcher, writer and production manager, to producer and director. In 2005, Douglas started her own production company, Scottie Productions, which has netted several awards.