Interview

Gloss: The 1980s TV legend revisited…

Interview, Camera and Editing – Andrew Whiteside

Gloss was a popular soap opera that screened from 1987 to 1990. It pitted a respectable moneyed family against a new generation of rich yuppies. Set in the glamorous world of a fashion magazine, Gloss epitomised the high life and big spending culture of the 80s, while also showcasing the fashion du jour: shoulder pads and big hair.

Interview

Brian Walden: Making TV drama work behind the scenes...

Interview, Camera and Editing – Andrew Whiteside

Production manager Brian Walden proved a near unstoppable force during the mid 70s dawn of Kiwi TV drama. Known as 'the Sarge' to those who worked with him, Walden was on location to bring in a slew of classic dramas, on time and budget: among them were Hunter’s GoldThe Mackenzie AffairGather Your DreamsMortimer's Patch and legal classic Hanlon. In the mid 80s he left TVNZ to go freelance, and helped produce everything from vampire movie Moonrise to TV's The New Adventures of Black Beauty

Interview

Paul Horan - Funny As Interview

Comedian turned producer Paul Horan interviewed more than 100 people for the Funny As series. In the 100th interview for the show, he finds himself in the hot seat. Horan ranges across Kiwi comedy history as well as his own, including: How making John Clarke laugh was like qualifying for the Olympics — and how the distinctive voice of Clarke's character Fred Dagg was influenced by horse racing commentator Peter Kelly His theory that David Lange's beloved "smell the uranium" joke from 1985 may have influenced New Zealand's emerging comedians How comedy festivals provided a valuable education for Kiwi stand-up talents — from talking with visiting comedians after a show, to witnessing Bill Bailey spin "an extraordinary routine out of the most absurd idea" How Facial DBX (Horan was a member) transformed "from a group of stupid students, through to performers, through to people who ran a venue" (Auckland's Classic Comedy Club) Feeling "extraordinarily proud" to be part of the Kiwi comedy tradition — an art form that forged its own path and thrived despite criticism and a lack of government support