At a time when TVNZ light entertainment inevitably meant major studio productions complete with dancing girls, Live from Chips presented singers in a live, no frills environment freed from big budget distractions. The venue was Wellington nightclub Chips and each episode focussed on one singer and backing band playing a 25 minute set. Four episodes were made featuring artists from outside the pop/rock orbits of Ready to Roll and Radio with Pictures — Tina Cross, Herb McQuay, Frankie Stevens and Mark Williams (flown in from Sydney to do the show).
For a generation of music fans before the internet, show Radio with Pictures was a vital link to local and international music — and essential viewing before TV2's Sunday night horror movies. Following on from Grunt Machine in 1976, its presenters included Karyn Hay, Dr Rock (Barry Jenkin), Dick Driver Phil O'Brien. RWP's extended run coincided with the rise of MTV and the music video, and a burgeoning 1980s New Zealand music scene. Videos were a staple, but artist interviews also featured. The show also staged a number of Mainstreet concerts featuring leading local artists.
In the early 80s Ready to Roll was NZ’s premier TV pop show. It emerged in the pre-music video boom mid-70s hosted by Roger Gascoigne (and later Stu Dennison) with bands and dancers live in the studio. By the early 80s it was a seamless video clip Top 20 countdown — introduced by the Commodores pumping ‘Machine Gun’ — and appointment Saturday evening viewing for music fans (and a regular in the week’s Top 10 rating shows). It then evolved into a brand, spawning a number of RTR offshoots (Mega-Mix, Sounz and New Releases), before disappearing in the mid-90s.
Heroes followed a band trying to make it in the mid-80s music biz. Teen-orientated, the show marked a first major role for Jay Laga’aia (Star Wars), and an early gig for Michael Hurst (with blonde Billy Idol spikes). Band keyboardist John Gibson co-wrote the series music; he later became an award-winning film composer. Margaret Umbers (Shortland Street, Bridge to Nowhere) was a non-musician in the cast (with Hurst), but since has sung regularly in a jazz band. A second series follow in 1986.
C’mon brought the hits of the day into New Zealand living rooms for three years in a tightly scripted, black and white frenzy of special effects, pop art sets, go-go girls and choreographed musicians while host Pete Sinclair kept the pace cracking with breathless hipster charm. Most of the stars of the day appeared at one time or another but sadly only two episodes have survived. As the 60s finished C’mon fell victim to the fragmenting of the music world and the arrival of darker music that the show could no longer turn into family friendly viewing.
In the heady days of Beatlemania, Let's Go was the first viable successor to In The Groove (NZ's first TV pop music show in 1962). It was devised and produced by Kevan Moore — with DJ Peter Sinclair in his first big presenting role. Recorded in Wellington at the NZBC's Waring Taylor Street studio (with its notorious sloping floor a challenge for the big cameras), it featured a resident band — first The Librettos and then the Pleasers. Let's Go only lasted two years, but in 1967 Moore and Sinclair teamed up again for the hugely successful C'mon.
Popco slotted in after Movin’ and before Norman, as part of a long tradition of Christchurch music shows which first began with Let’s Go in the early 60s. It featured a studio band, the Maggie Burke Dancers and vocalists including Bunny Walters, Annie Whittle, Tom Sharplin and Rob Guest, who performed the hits of the day. There were appearances from local acts including Ticket and Chapta, and overseas performers like Lindisfarne and Gary Glitter (who was overcome with vertigo and had to be rescued from a high diving board at QE2 pool, after miming one of his hits).
Punk rock was breaking and musical styles changing, but in New Zealand country music was appointment viewing at 7pm on Saturday. That's Country ran from 1980 to 1984. Hosted by one-time pop singer Ray Columbus, the show featured both local and international talent including Suzanne Prentice, Patsy Riggir, Emmylou Harris and George Hamilton IV. An American offer to buy the show and install a US presenter were resisted. Instead the show was sold to a Nashville cable TV network, in a New Zealand first; That's Country soon had an audience of 30 million in the States.
The Country Touch was a widely popular country and western music show from the 60s, that screened on Saturday nights. Produced by Bryan Easte for NZBC the show was filmed on an Auckland hay barn set and featured musical numbers, from folk, fiddles, and banjos to bluegrass, introduced by the legendary Tex Morton. Regulars included The Hamilton County Bluegrass Band, Brian Hirst’s Country Touch Singers (with a team of 20 square dancers), and Kay and Shane. Has Auckland ever been this close to the Appalachians?
Studio One belongs to a long line of talent shows stretching back to the earliest days of NZ television. In two parts, it featured an original song competition which attracted leading songwriters; and 'New Faces'. The latter was for newcomers to TV, and it introduced novelty acts and brass bands, but was also instrumental in launching the careers of Split Enz, Shona Laing and Space Waltz. Later judges including Howard Morrison, Nick Karavias and Phil Warren could be brutal when they wanted to be — and their catch-cry of "no lurex" became a national mantra.