Audiences first discovered dysfunctional Samoan-Kiwi family The Semisis via 90s sketch comedy series Skitz. In 1996 they got their own spin-off show. A talent-heavy cast found themselves lobbing lines and props in each other's direction: future Naked Samoans Dave Fane and Robbie Magasiva, performer Jackie Clarke, and Hori Ahipene, as the family matriach. Creators Dave Armstrong and Kerry Jimson got input for storylines from the cast, director Danny Mulheron and a group of young Samoans from Porirua. Seven episodes were made by Wellington's Gibson Group.
Web series The Factory is the tale of a South Auckland family and their love of music — and one another. The Saumalus compete at a $50,000 talent contest, on behalf of the textile factory where their father and grandfather Tigi work. But the family are keen to play something more modern than the traditional Samoan music Tigi favours. The 20-part web series features the Kila Kokonut Krew team, who originally created The Factory for the stage. The pioneering Pasifika musical went on to headline the 2013 Auckland Arts Festival, and was performed at the 2014 Edinburgh Fringe Festival.
Our People Our Century was a documentary series from Ninox productions, that looked back over the past 100 years of New Zealand society as it turned over the millennium. Major events and changes over the century were shaped into six themed episodes: war, land, poverty and prosperity, families, state support and national identity, with apposite interviews providing personal and dramatic context. Our People Our Century won Best Factual Series at the 2000 NZ TV Awards, with Philip Temple winning a best documentary script award for the 'Families at War' episode.
Qantas-nominated 'dramedy' Rude Awakenings revolved around the conflict between two neighbouring families, living in the Auckland suburb of Ponsonby. Rush family matriarch Dimity (Danielle Cormack) has her eyes on climbing the property ladder, by acquiring the house next door (occupied by solo Dad Arthur and his teenage daughters). Created by Garth Maxwell (movie Jack Be Nimble), the 2007 series was produced by Michele Fantl for TV One. The Listener’s Diana Wichtel welcomed it as a rare contemporary satire on New Zealand television, but it only ran for a single season.
This series was made for Maori TV (Kaupoai means “cowboy”) about the summer rodeo circuit, and the cowboys (and occasional cowgirl) who battle it out with bulls, broncos and each other for the title of Cowboy of the Year. Voiced in te reo, it follows the progress of members of five families from the East Coast (the home of NZ rodeo) including four brothers from New Zealand’s rodeo royalty, the Church family (with their father a 13 time winner). The physical challenges — and toll — are plain to see; but competition, camaraderie and prize money conquer most fears.
TV3 series Outrageous Fortune had six memorable six seasons. Award-winning prequel Westside takes the West family back to where it all began — to legendary safecracker Ted West (David de Lautour), and his fiery wife Rita (Antonia Prebble from Outrageous). Each episode of series one is set in a particular year of the 1970s. Season two moves to the 1981 Springbok Tour; the third, set in 1982, introduced a teen Cheryl West. Combining romance, crime and West family folklore with real life events, Westside was created by James Griffin and Rachel Lang, the duo behind the original.
A taonga in Māori culture is a treasured thing, whether tangible (eg. a letter, photo, or heirloom) or intangible (eg. a family story). This series uses taonga — whose protection is enshrined in the Treaty of Waitangi — as a starting point to tell dramatic Māori stories from the last 150 years. Weaving documentary techniques with re-enactments, Taonga features the stories of Guide Sophia, Sir Maui Pomare and Penetito Hawea among others. It screened on Māori Television in 2006, and featured actors Ian Mune, Rawiri Paratene, Taungaroa Emile and Miriama McDowell.
Gloss was a popular Kiwi television drama series made by TVNZ that screened in the late 80s; it combined a wealthy family, the Redferns, with a lucrative high-fashion magazine business. Yuppies, shoulder-pads and méthode champenoise abound in this cult "glamour soap". New Zealanders wanted to see themselves as less bottom of the world and more "here we come and we are sailing" (as the infamous Cup campaign song warbled), and Gloss was just what the era demanded.
Night of the Red Hunter was a 1989 sci-fi series for kids that followed the adventures of runaways Peter (Toby Laing) and Maggie (Toni Driscoll). After falling into a grave of golden light at a farm cemetery, they come into the orbit of the strange Piper family who give an extraterrestrial twist to Kiwi small town gothic. Written by Ken Catran, and produced by Chris Hampson, the TVNZ production was one of the final shows made by Avalon's Drama Department. The series was recut as a telefeature. Laing is now better known as trumpeter for Fat Freddys Drop.
This six-part Māori Television series documents the experiences of six Māori language students from around the country, on a three-week cultural field trip to Beijing, China. The teenagers take their own cameras to record their experiences. They attend a local high school, live with Chinese families, and take in the local sites and sounds. The series is in Te Reo Māori, with English sub-titles.