Section 7 was New Zealand’s first urban TV drama series and followed soon after Pukemanu (which was set in a logging town). Taking its name from the Criminal Justice Act section which placed offenders on probation, it focussed on a Probation Service office and addressed issues of the day including new migrants, ship girls and domestic violence. Expatriate Ewen Solon returned from England to take the lead role in a series very much based on British dramas of the time. More popular with critics than the public, Section 7 was limited to 11 half-hour episodes.
Award-winning Māori current affairs show The Hui sets out “to increase understanding and awareness among mainstream New Zealand about the issues facing Māori and the unique aspects of our culture.” The format includes interviews, investigative reports and panel discussions. Fronted by journalist Mihingarangi Forbes, it screens on Sunday mornings on Three. An April 2017 Hui report on the experiences of men who were abused in state boys' homes won acclaim, and led to a government inquiry. The Hui is produced by Great Southern Television.
A Week of It was a pioneering comedy series that entertained and often outraged audiences over three series from 1977 to 1979. The writing team, led by David McPhail, AK Grant, Jon Gadsby, Bruce Ansley, Chris McVeigh and Peter Hawes, took irreverent aim at topical issues and public figures of the day. Amongst notable impersonations was McPhail's famous aping of Prime Minister Rob Muldoon; a catchphrase from a skit — "Jeez, Wayne" — entered NZ pop culture. The series won multiple Feltex Awards and in 1979 McPhail won Entertainer of the Year.
With the establishment of TVNZ in 1980, Lookout was introduced as TV1’s local documentary slot featuring 45 minute programmes on Friday nights. The series didn’t have a unifying theme but, instead, featured work made in-house and independently (with the latter including a number of NFU productions). As well as documentaries, Lookout also included a number of episodes of Trial Run where juries of everyday people examined current issues. In 1981, TV1’s documentary strand was renamed Contact but it returned sporadically as Lookout in 1982.
Te Karere is a long-running daily news programme in te reo Māori. Based in the TVNZ newsroom, Te Karere covers key events and stories in the Māori world as well as bringing a Māori perspective to the day's news. Significant for pioneering Māori news on mainstream TV, for three decades it has been a platform for Māori to comment on issues and events. Founded by Derek Fox, it first went to air during Māori Language Week in 1982, before getting its own regular slot the folowing year. Te Karere initially ran for only four minutes, then 15; in 2009 it was expanded to half an hour.
This Day debuted on Auckland screens in February, 1970. A regional news magazine programme, it went to air each weeknight at about 7:20pm - immediately after the recently introduced network news bulletin (in a controversial new 7pm timeslot). It provided coverage of local issues that had previously been covered by Town and Around. Viewers in Wellington saw Newsview and the South Island was served by The Mainland Touch. This Day staff included Rhys Jones, Craig Little, Karen Jackman, John Bowler, Ian Watkins and Hanafi Hayes. In 1974 it was retitled Look North.
In 1978 Eyewitness evolved out of TV2’s After Ten as a twice weekly current affairs show broadcast on Tuesday and Thursday nights. With Philip Sherry as studio anchor, it set out to investigate a single issue from a number of perspectives in each episode. Other foundation staff members included journalists Karen Sims, David Beatson, Dairne Shanahan, Rhys Jones and Neil Roberts. By 1981 it was presented by Karen Sims and had become NZ television’s longest running current affairs show — but it morphed into the nightly Eyewitness News the following year.
This 38 episode series revolved around the ups and downs of a community house run by Tony Van Der Berg (Frank Whitten). The series was devised by Liddy Holloway to meet a network call for an Eastenders-style drama that might tackle social issue storylines. It was the first drama series to put a Māori whānau (the Mitchells) at its centre. Despite being well-reviewed, it was perhaps the last gasp of Avalon-produced uncompromisingly local drama (satirised as the ‘Wellington style’), before TV production largely shifted to Auckland to face up to commercial pressures.
In 1973 the focus of NZBC’s current affairs programming was under pressure to be reshaped (from the new Labour Government). Long-running show Gallery was to provide follow-up and explanation of current events, and Inquiry was to be a weekly film programme that provided more in-depth treatment of topical issues. Inquiry programmes had a three week turnaround for research, editing and broadcasting; Geoff Walker, Alan Brady and Joe Coté were the initial reporters. Topics covered included a wide-ranging 1974 survey of women in politics: ‘Nothing Venture, Nothing Gain’.
Attitude is a weekly series that addresses the issues and interests of people living with a disability. The high energy series launched in 2008, with a strong thread of advocacy journalism. Attitude has a number of team members who themselves have a disability, including all the onscreen researcher/reporters. Much of Attitude's content has been loaded onto online hub Attitude Live, which launched in 2013 and later beat 86 countries to win a World Summit Award in the 'inclusion and empowerment' category — plus praise for digital innovation.