Inspired by the work of Spring Hill Prison music therapist Evan Rhys Davies, Julian Arahanga convinced the Department of Corrections to allow him to film inmates making songs at Rimutaka and Arohata prisons — with mentoring from musicians Anika Moa, Warren Maxwell, Maisey Rika, and Ruia Aperahama. In later seasons Moa was joined by Don McGlashan, Annie Crummer, Laughton Kora, Ladi6, Scribe and Troy Kingi at other prisons. The Māori TV show won Best Reality Series at the 2017 NZ Television Awards, and international interest. It also spawned two albums.
This 2011 TV One series sees wry but winning host Marcus Lush explore the North Island from Auckland up. Jafa Lush said his motivations were to "see where I was from, what I liked and didn't like and what had changed." The Herald’s Deborah Hill Cone praised the show for its "gorgeous" cinematography (by Jacob Bryant), and for making everyday Kiwi characters look "otherworldly and cinematic and heroic". The series was another successful collaboration between JAM TV and host Marcus Lush, adding to Off the Rails, ICE, and lauded 2009 sister series South.
In this five part series presenter Peter Hayden travels through some of New Zealand's most varied, awe-inspiring and spiritual environments. Though there is superbly filmed flora and fauna, geology and other standard natural history documentary staples, it is the history of people's relationship with these sublime landscapes and a genial New Zealand passion for the environment, that makes a lasting impression. At the 1988 Listener Film and TV Awards Hayden won Best Writer in a Non-Drama Category for the series.
Off the Rails was a 12-part journey through the railway memories of New Zealand, with raconteur Marcus Lush at the wheel. With a trainspotter's reverence for ways rail, the beautifully shot, and gently wry travelogue guided viewers around (with thanks to the Raurimu Spiral) the heart of Aotearoa. Off the Rails’ award-winning achievement was to show that energetic storytelling (Super 8 footage, contemporary pop score and snappy editing), combined with the homespun charms of local subject matter, could make for high-rating television.
Debuting in 2003, this Touchdown series followed 2001's Pioneer House, a similar show from the same company. The new show transported an Otago family (policeman Ross, music teacher Dorothy, and their four kids) back to 1852 to recreate the challenges of life as English immigrants to New Zealand — including the clothing, housing and toiletries of settler life. It was executive produced by Julie Christie, who in a 2006 Listener interview mentioned the experience of pitching the show to NZ On Air as a key driver in deciding to make television that wasn’t reliant on public funding.
This six-part series about Aotearoa's flora and fauna marked the first set of documentaries to be made by the BCNZ's freshly born Natural History Unit. The 15 minute episodes showcase White Island, bird life in Ōkārito, the flightless takahē, Waipoua Forest in Northland, wetlands near Dunedin and winter wildlife in Central Otago. Many of the filmmakers went on to make a mark — including directors Neil Harraway and Robin Scholes, and cameraman Robert Brown (The Living Planet). Hidden Places - Ōkārito was named Best Documentary at the 1979 Feltex Television Awards.
After 15 years on TV One, Paul Holmes left his high-rating slot for rival network Prime. New half-hour show Paul Holmes debuted in February 2005, but poor ratings meant it lasted only six months. The following April, Prime debuted the hour-long Holmes, which concentrated on longer interviews with people from business, the arts, sports and politics. Holmes argued the format allowed him the “opportunity to find out what makes the guests tick”. He called it “a style of broadcasting that has been missing from the New Zealand television landscape for a number of years”.
Seven stand-alone contemporary dramas, collected together under one umbrella. The stories in this television series showcase a fresh wave of 1980s independent filmmakers. They cross the gamut from gritty kitchen sink dramas and oddball tales of Kiwi heroes, to Jewel's Darl, an acclaimed romance staring future transsexual MP Georgina Beyer. Five of the About Face directors went on to make feature films; 23-year-old Jennifer Ward-Lealand's performance in Danny and Raewyn won a GOFTA award.
Here to Stay uses New Zealand personalities to examine key settler groups that make up the Kiwi tribe. Each show mixes personal stories with a wider view, as the presenter sets out to discover what traits and icons their ethnic group contributed to the NZ blend. In the first (of two) series Michael Hurst, Theresa Healey, Ewen Gilmour, Jackie Clarke, Frano Botica and Bernadine Lim explore the English, Irish, German, Scot, Croatian, and Chinese stories respectively. Each episode includes identity reflections from a chorus of well-known Kiwis.
After fronting TV3 children's programmes Early Bird Show, 3pm and You and Me, Suzy Cato started her own company, Treehut Productions, to make Suzy's World. A science show for five to nine year olds, it sought to explain everyday phenomena like how smoke alarms work, why birds sing and where salt comes from. With the accent very much on the practical, pantyhose played an important part in simulating the workings of the digestive system while a watermelon was hurt demonstrating inertia and the need for seatbelts. Over four years 263 episodes were made.