Coming Home chronicled Kiwi successes abroad, by profiling New Zealanders living and working overseas, then following them back to Aotearoa when they made a return visit. Each episode of the Touchdown Productions series was grouped roughly geographically, with two or three expat New Zealanders featured per episode. Among those reminiscing upon home and opportunity were businesswoman Mary Quin, motor racing legend Steve Millen, journalist Peter Arnett, model Kylie Bax, psychologist John Money, law lecturer Judith Mayhew and singer Patrick Power.
This seven-part documentary series chronicled the history of modern Māori music, from the turn of the century and Rotorua tourist concert parties, through to the showband era (Howard Morrison Quartet, Māori Volcanics, Māori Hi-Five) and reggae and hip hop. The programme ranged from ‘Ten Guitars’ to Tui Teka, from Guide Rangi doing poi to The Patea Māori Club, from opera singer Kiri Te Kanawa to Upper Hutt Posse, Ardijah, Herbs and Moana and the Moa Hunters. The acclaimed 1990 series was directed by Tainui Stephens (My Party Song, The New Zealand Wars).
Thanks partly to enthusiastic host Te Hamua Nikora, Homai Te Pakipaki soon won a keen following. Over nine years the sometimes rough and unrehearsed karaoke contest became a Friday night staple on Māori Television — encouraging young and not so young to shine, as they performed and competed for a cash prize, sometimes to studio audiences numbering as high as 3000. Alongside Nikora, the band of hosts included award-winner Mātai Smith, 2008 series winner Pikiteora Mura-Hita and radio's Brent Mio. In 2016 Nikora returned to co-host follow-up show Sidewalk Karaoke.
In this fascinating social experiment, a 21st century Kiwi family is transported back in time to live as a typical family would have — 100 years ago. Their house and garden is restored to its 1900 state with electrical fittings, modern plumbing and all traces of modern living removed. The family have to deal with the challenges of turn of the last century manners, dress, morals, work and a lack of conveniences (including a regular outside trip to the long drop toilet). Based on a UK format, the series was followed in New Zealand by Colonial House (2003).
The idea for this popular series came when Northland fisherman Matt Watson decided that – piqued by "boring" fishing shows – he’d make what he wanted to watch. A SportsCafe fishing video competition win led to The Fishing Show on Sky/Prime in 2004, before it moved to TVNZ in 2005 and became The ITM Fishing Show. The series relocated to TV3 for six years, then returned to TV One in 2014. A YouTube clip of Watson jumping from a helicopter to bag a marlin led to a 2009 appearance on David Letterman's the Late Show. In 2017 the show morphed into ITM Hook Me Up on Prime.
Seven Days was designed by producer Des Monaghan to bridge the current affairs gap between the NZBC and TV One. As well as putting the heat on local politicians, it turned its attention to major international events. Major stories included Ian Fraser’s trip to Vietnam to cover the last days before the fall of Saigon and Ian Johnstone’s three-part look at apartheid-era South Africa ahead of the 1976 All Back tour. For its third and final year, the focus changed to observational documentaries and laid the groundwork for TVNZ’s in-house documentary unit.
Well-known Kiwi chef Jo Seagar trained as a cordon bleu chef in London and France, before returning home to promote a culinary style involving “maximum effect, minimum effort.” Her 1997 best-selling book You Shouldn't Have Gone To So Much Trouble, Darling caught TVNZ’s attention and Real Food marked her TV debut. The two series covered recipes from sushi to pecan pie. In a 2012 interview with Avenue, Seagar mentioned that the show rated highly, despite Television New Zealand initially telling her that a food show would never screen in primetime.
Long-running kids series Studio 2 screened on weekdays after school on TV2, from 2004 to 2010. It included competitions, cartoons (eg SpongeBob SquarePants), games and interviews, and The Hub website — a pioneering example of transmedia, where presenters and kids could interact. Taking turns as co-presenter were Matt Gibb, Jordan Vandermade, Dayna Vawdrey, and Vicki Lin. Guests included SpongeBob actor Rodger Bumpass and Helen Clark. Produced by Taylormade Media, the show was renamed Studio 2 Live in 2010; a Saturday version screened in 2007.
Government filmmakers the National Film Unit launched Pictorial Parade two years after the demise of Weekly Review. It was another 10-minute magazine programme, but this time monthly, rather than weekly. It was the NFU’s major product for the next 20 years. In 1950 the NFU had been moved from under the wing of the Prime Minister’s Department, to be controlled by the Tourist and Publicity Department. The Pictorial Parade was seen as a move away from the political in government filmmaking, and a return to the promotional role of the early scenic films.
When long-running current affairs show Newsmakers ended its run in the Sunday night slot in 1983, Sunday took its place. The new current affairs programme continued the interview format of Newsmakers, and included renowned Newsmakers interviewer Ian Fraser. Also taking turns as Sunday host or co-host were David Beatson and Lindsay Perigo. Among those reporting for the show were Rod Vaughan, John Keir (director of documentary Flight 901 - The Erebus Disaster), Kevin Isherwood and Rodney Bryant.