Current affairs show Gallery took on controversial topics of the day, most famously in a Brian Edwards interview which solved a Post Office industrial dispute live on-air. Produced by Des Monaghan, it began as a studio-based programme that discussed political issues, but was soon expanded. Edwards’ confrontational style of interrogating public figures was new to New Zealand TV, and polarised viewers. It saw Edwards (the "mad mauler") become a household name, and earned him a reputation as a hardline interviewer. He was succeeded as host by David Exel.
Section 7 was New Zealand’s first urban TV drama series and followed soon after Pukemanu (which was set in a logging town). Taking its name from the Criminal Justice Act section which placed offenders on probation, it focussed on a Probation Service office and addressed issues of the day including new migrants, ship girls and domestic violence. Expatriate Ewen Solon returned from England to take the lead role in a series very much based on British dramas of the time. More popular with critics than the public, Section 7 was limited to 11 half-hour episodes.
Maria Dallas' performance of Jay Epae song ‘Tumblin’ Down’ helped make it a top 20 hit in 1966. Impressed with her versatility at the Loxene Golden Disc Award ceremony that year, TV producer Christopher Bourn invited her into a television studio five days before Christmas to perform songs for two 15 minute episodes of her own show, Golden Girl. Over the next year Dallas’ career continued to explode. In between trips to Australia, America and Asia, Bourn got her back to film further episodes, each one featuring four or five songs by Dallas, plus a guest spot by another performer.
Pioneering series Pukemanu (the NZBC’s first continuing drama) followed the goings-on of a North Island timber town. The series was conceived by former forester Julian Dickon (who quit the series and was replaced by Listener critic Hamish Keith as writer). Producing two seasons of six episodes was a key step in industry professionalisation, and many of the cast became stars (Ginette McDonald, Ian Mune). It offered an archetypal screen image that Kiwis could relate to: rural, bi-cultural, boozy and blokey; and reviews praised its Swannie-clad authenticity.
In the Nature of Things saw Christchurch zoologist Ron Walton deliver science lessons to children. Walton (along with Night Sky presenter Peter Read) made made science pop, and was one of NZ’s best known broadcasting personalities of the 60s and 70s, fondly remembered by a generation of Kiwi kids. His fame saw him endorse everything from microscopes to Pye TV sets. From a gentler time, well prior to the pyrotechnics of MythBusters, Things was one of the few NZBC products from the era that screened internationally, selling to the US and a host of other countries.
Famous as New Zealand television's first ever sitcom, Buck House was a rollicking and relatively risqué series that centred on the comings and goings of university students in a dilapidated Wellington flat — the eponymous 'Buck House'. Stars of the show included John Clarke, Paul Holmes, and Tony Barry (Goodbye Pork Pie). Despite (or more likely because of) its bawdy humour, occasional coarse language and alcohol abuse, the pioneering comedy sated the needs of many Kiwi viewers desperate for TV with identifiable local content and flavour.
Islands of the Gulf was (narrowly) New Zealand’s first locally made TV documentary series — written, presented and produced by the country’s first female producer, Shirley Maddock. Intended as a one-off programme about the islands of the Hauraki Gulf, it ran to five half-hour episodes examining everyday life in the area, at a time when Kiwi faces were still a novelty on screen. Aviation legend Fred Ladd provided aerial footage. Maddock’s tie-in book was extensively reprinted and, in 1983, she revisited the area in a documentary for TVNZ. in 2018 Maddock's daughter presented an updated series.
This Day debuted on Auckland screens in February, 1970. A regional news magazine programme, it went to air each weeknight at about 7:20pm - immediately after the recently introduced network news bulletin (in a controversial new 7pm timeslot). It provided coverage of local issues that had previously been covered by Town and Around. Viewers in Wellington saw Newsview and the South Island was served by The Mainland Touch. This Day staff included Rhys Jones, Craig Little, Karen Jackman, John Bowler, Ian Watkins and Hanafi Hayes. In 1974 it was retitled Look North.
C’mon brought the hits of the day into New Zealand living rooms for three years in a tightly scripted, black and white frenzy of special effects, pop art sets, go-go girls and choreographed musicians while host Pete Sinclair kept the pace cracking with breathless hipster charm. Most of the stars of the day appeared at one time or another but sadly only two episodes have survived. As the 60s finished C’mon fell victim to the fragmenting of the music world and the arrival of darker music that the show could no longer turn into family friendly viewing.
Launched in October 1964, Compass was the first local programme to provide regular coverage of politically sensitive topics. Alongside the job of reporting on the news from a NZ perspective, Compass was the first to file comprehensive news reports from overseas. The controversial banning of a programme on the changeover to decimal currency became a flashpoint in 1966. This led to the high profile resignation of producer Gordon Bick. Compass can now be seen as the forerunner to Close Up, Foreign Correspondent and more recently Sunday.