Section 7 was New Zealand’s first urban TV drama series and followed soon after Pukemanu (which was set in a logging town). Taking its name from the Criminal Justice Act section which placed offenders on probation, it focussed on a Probation Service office and addressed issues of the day including new migrants, ship girls and domestic violence. Expatriate Ewen Solon returned from England to take the lead role in a series very much based on British dramas of the time. More popular with critics than the public, Section 7 was limited to 11 half-hour episodes.
This series of 25 half-hour documentaries for TV One explored diversity in New Zealand and beyond, including across ethnicity, gender and religion. Among the locations are quake-ravaged Christchurch, New Plymouth's Womad festival, a firefighters’ contest in Australia and slums in Manila. Subjects include a Malaysian-born plastic surgeon, Wellington 'Supergrans' helping council tenants, a prison choir, a Burmese expatriate awaiting heart surgery and a Sudanese artist. Three production companies contributed episodes: Pacific Screen, Melting Pot, and Paua Productions.
This series was based on a fund raiser called “Art for Love or Money” run at Dunedin Art Gallery in the early 80s by two local identities: antique dealer Trevor Plumbly and expatriate American gallery owner and basketball commentator Marshall Seifert. Television used them as panellists and added ex-newsreader Dougal Stevenson as host, and a group of regular guests to examine objects brought in by members of the public. Unlike its BBC counterpart Antiques Roadshow, Antiques for Love or Money was a panel discussion, with the owners of the pieces never sighted.