Following award-winning and high rating collaborations exploring trains (Off the Rails) and Antarctica (ICE), Jam TV reteamed with presenter Marcus Lush to explore the southern tip of the South Island. Over seven 30 minute episodes, the Bluff-based Aucklander mixed wry observation and self-deprecation with clear affection for the stories, wildlife, geography and characters of his (then) adopted hometown, and its environs. At the 2010 Qantas Television Awards, Lush won Best Presenter and Melanie Rakena won Best Director – Entertainment / Factual.
Company JAM TV have made a speciality of successfully mixing idiosyncratic hosts with travel destinations (Intrepid Journeys, Off the Rails). For this series, comedian Te Radar explores "big picture questions" (pollution, power, waste and water), while visiting people "making a difference" everywhere from Blenheim to Brunei, from Tonga to Rwanda. Global Radar had two seasons on TV One (in 2011 and 2013) and won a NZ Television Award for Best Information Series (it was nominated for Best Presenter). Radar picked Rwanda's 'goats for gorillas' programme as a personal highlight.
This miniseries was made for the centenary of New Zealand’s involvement in the Gallipoli campaign. Created by Gavin Strawhan and Briar Grace-Smith, the six one hour episodes explored the impact of World War l on characters connected to a Pākehā family. Each episode was framed around a letter written home. The characters include a nurse and doctor caring for wounded in Egypt, a lawyer turned officer in Gallipoli and his wayward brother, and a Māori preacher turned soldier and his sister. Directed for TVNZ by Peter Burger, the series was produced by Robin Scholes.
Presenter Chris Nichol explored the spirituality of New Zealanders in this interview based documentary series. It ran for five years and was intended to broaden TV One’s religious programming to reflect a growing diversity of faiths and philosophical approaches to life (from conventional religions through to a Wiccan, a rationalist and an atheist). Each episode examined the life and beliefs of one person. Interviewees included Sir Ray Avery, Gareth Morgan, Wynton Rufer, Moana Maniapoto, Joy Cowley, Nandor Tanczos, Ahmed Zaoui and Ilona Rogers.
This 16 episode, 30 minute series from Jam TV (This Town, Intrepid Journeys) gave “courageous, honest, heroic and inspirational Kiwis a chance to tell their tale.” Subjects ranged from broadcaster Mark Staufer to Christchurch Student Volunteer Army founder Sam Johnson, Gisborne mayor Meng Foon, and Northland doctor Lance O’Sullivan. The first episode explored irrepressible former C4 presenter Helena McAlpine’s experiences with terminal breast cancer. Listener critic Diana Wichtel praised the TVNZ show as “an increasingly vital corrective to the rest of prime time".
Speakeasy was an early 80s chat show hosted by broadcaster Ian Johnstone. Each episode explored a theme and invited a trio of subjects “who could talk well about their own experiences and views” (as Johnstone put it in his 1998 memoir Stand and Deliver). Produced by David Baldock, the subjects were “New Zealand events and issues but not news and politics”, and ranged from sports leadership, to returning home from overseas, to race relationships in Aotearoa. Interviewees included cricketer Glenn Turner, singer Howard Morrison and actor Ellie Smith.
Heartland was a long-running series where, in each episode, affable presenter Gary McCormick explored a Kiwi community. Location and local legend are relayed as McCormick (or occasionally Annie Whittle, Maggie Barry, or Kerre McIvor) interacts with the natives, most famously, tiger slipper-shod Chloe of Wainuiomata. The popular, award-winning series, was inspired by a collaboration — Raglan by the Sea — between McCormick and director Bruce Morrison; it connected mostly-urban Kiwis with faraway corners of the country, and a homely sense of shared identity.
Life on Ben is a partly-animated series for kids exploring the intricacies of life on skin. Gordon and Gloob (voiced by Flight of the Conchords’ Jemaine Clement and Boy director Taika Waititi) are two symbiotic creatures who go on an unexpected stop motion journey. When their host, 10-year-old Ben, gets an itch in his butt the Plasticine duo find themselves exiled to his nostril; on their quest to get back home they encounter a petri dish of other microbial folk. Created by Luke Nola (Let’s Get Inventin’), the 10 episodes of this two-minute show sold internationally.
Regular Māori programmes started on Television New Zealand in 1980 with Koha, a weekly, 30 minute programme broadcast in English. It explored everything from social problems, tribal history, natural history, about weaponry, to the preparation of food, canoe history, carvings and their meanings, language and how it changed through time. It was a window into te ao Māori for Pākekā, and provided a link to urban Māori estranged from their culture. It was the first regular Māori programme to be shown in prime time.
Homeward Bound was TV3’s bid for New Zealand on Air funding for a local soap opera. Set around the lives of the rural Johnson family, 22 episodes were produced for the then-nascent network (the series ultimately lost out to TVNZ’s Shortland Street). Created by Ross Jennings and written by Michael Noonan, it represented a move back to a small town way of life after the Gloss-y urban excesses of the 1980s; it also explored pressures facing country communities following the stock market crash. The cast included Liddy Holloway, Peter Elliott and a young Karl Urban.