In 2002 American reality show The Osbournes became a global hit. The following year The Family provided Aotearoa with its own reality TV whānau: The Rippins. The show chronicled the lives of matriarch Denise, her second husband (property developer Pat) and her adult children Scott, Maria, Matthew and Victoria. Made by Visionary Productions, the TV3 show won headlines for the family’s cashed-up lifestyle. It made a Stuff 2016 list of New Zealand's worst reality shows. Pat Rippin was declared bankrupt in 2008; he was later convicted of hiding assets during the process.
Infamous, short-lived, and arguably unfairly maligned, The Neville Purvis Family Show was hosted by the occasionally foul-mouthed and very Kiwi Neville Purvis — in reality, writer and musician Arthur Baysting (Sleeping Dogs). The series is best known for containing possibly the first use of the f-word on New Zealand television. The full episode containing the controversial utterance has likely been lost; surviving material from the show includes appearances by PM Rob Muldoon, actor Marshall Napier as Neville's mechanic mate, and Limbs Dance Company.
Homeward Bound was TV3’s bid for New Zealand on Air funding for a local soap opera. Set around the lives of the rural Johnson family, 22 episodes were produced for the then-nascent network (the series ultimately lost out to TVNZ’s Shortland Street). Created by Ross Jennings and written by Michael Noonan, it represented a move back to a small town way of life after the Gloss-y urban excesses of the 1980s; it also explored pressures facing country communities following the stock market crash. The cast included Liddy Holloway, Peter Elliott and a young Karl Urban.
Pioneering soap opera Close To Home first screened in May 1975. For just over eight years, middle New Zealand found their mirror in the life and times of Wellington’s Hearte clan. At its peak in 1977, nearly one million viewers tuned in twice weekly to watch the series, which was co-created by Michael Noonan and Tony Isaac. They initially only agreed to make it on condition they got approval for The Governor. The popular family saga carved a regular niche for local drama on screen; the demands of creating a regular show helped develop the skills of Kiwi actors and crew.
Star interviewer Brian Edwards talked to the sons and daughters of well known New Zealanders in this six part series. Edwards could be a tough interrogator, but his brief here was to explore the pressures placed on the families of the famous without blindly perpetuating public images, or turning the interviews into inquisitions. The subjects (and their famous parents) were Kit Toogood (Selwyn Toogood), John Kirk (Norman Kirk), Donna Awatere (Arapeta Awatere), Barbara Basham (Aunt Daisy), Helen Sutch (Bill Sutch) and John and Hilary Baxter (James K Baxter).
After her husband is jailed, matriarch Cheryl West (Robyn Malcolm) decides the time has come to set her family on the straight and narrow. But can the Wests change old habits? So begins the six-series long saga of the Westie dynasty. Hugely popular at home (beloved by public, critics and awards-nights alike), and imitated overseas, Outrageous Fortune has been a flag-bearer for TV3 and contemporary NZ telly drama; the series proved — in all its grow-your-own glory — that genre TV in NZ could be so much more than overseas stories pasted to a local setting.
Created by Gavin Strawhan and Rachel Lang, Jackson’s Wharf was set in a fictional coastal town and revolved around a sibling rivalry between brothers Frank (the town cop) and Ben Jackson (a big smoke lawyer). Returning with his family, golden boy Ben has controversially inherited the local pub from his recently deceased father. Produced by South Pacific Pictures, the one hour popular drama screened for two seasons. Writer James Griffin and director Niki Caro worked on the show, alongside much of the talent who would later create Mercy Peak and Outrageous Fortune.
This seven-part documentary series examines New Zealand as a nation of migrants. The original idea behind the show was to concentrate on upbeat personal stories. But many of the completed episodes go wider, balancing modern day interviews with a broader historical view of each group's immigrant experience down under. Immigrant Nation saw camera crews travelling to Europe, China, Sri Lanka and Samoa. Stories of escape, longing and prejudice are common - along with a feeling of having a foot in two worlds. An Immigrant Nation screened on TV One.
In this fascinating social experiment, a 21st century Kiwi family is transported back in time to live as a typical family would have — 100 years ago. Their house and garden is restored to its 1900 state with electrical fittings, modern plumbing and all traces of modern living removed. The family have to deal with the challenges of turn of the last century manners, dress, morals, work and a lack of conveniences (including a regular outside trip to the long drop toilet). Based on a UK format, the series was followed in New Zealand by Colonial House (2003).
This ambitious reality show saw Kiwis living 1850s style for six weeks — "three families from two very different cultures sharing one land". The first Māori family communicates in te reo; two other families, one Māori and one Pākehā, don't. The One Land team researched and recreated a hilltop pā and a colonial house for the participants to live in. Executive producer Bailey Mackey praised TVNZ for playing a te reo-heavy reality show in prime time. Named Best Constructed Reality Series at the 2010 Qantas TV Awards, One Land was made by Mackey's Black Inc Media and Eyeworks.