While convalescing down under Sir Charles Pemberton (Terence Cooper) schemes to build a thermal spa in the town of Wainamu c.1900. Conflict ensues as the spa’s planned location is on Māori land. The action is seen through the eyes of youngsters: hotelier’s son Tom, and Pemberton’s granddaughter Sarah Jane; who — along with an erupting volcano — eventually impart on Sir Charles a lesson about colonial hubris. The 13-part series was a marquee title from a golden age of Kiwi kidult telly-making: it won multiple Feltex awards, and screened on the BBC in 1980.
The Fire-Raiser pits a quartet of smalltown World War I era school kids against a mysterious figure with fire on the brain. Inspired partly by a real-life Nelson arsonist, the five-part gothic adventure was created for television by author Maurice Gee. Peter Hayden plays the town’s unconventional teacher ‘Clippy’ Hedges, while the lead role went to Royal NZ Ballet star Jon Trimmer. The Fire-Raiser won four Listener TV awards, including best overall drama and best writer. Gee’s accompanying novel was published both here and overseas. He writes about the show's birth here.
This quirky, upbeat comedy-drama looked at teen life through the eyes of 15-year-old Eve (Fleur Saville). Something of an amateur teen anthropologist, Eve questions everything in her world, musing on life to the camera. The series' fresh, self-aware style appealed directly to media-savvy teenagers. The TV3 series launched Saville's TV career, fostered young directing and producing talent, won many awards (including Best Drama Series at the 2002 NZ TV Awards) and was nominated for an International Emmy. It sold to over 40 territories, including the United States.
The "kids stumble on crims" premise of this kidult thriller series was practically an NZ TV staple in the 80s (Terry and the Gunrunners, The Fire-Raiser); here it's realised with a script by author Margaret Mahy and the director/producer team of Peter Sharp and Chris Bailey (vying with a schedule disrupted by Cyclone Bola). Mahy creates a world of masks, disguises and intrigue for a young cast including Martin Henderson (his screen debut), Hamish McFarlane (fresh from Vincent Ward’s The Navigator), Joel Tobeck (an early role) and deaf seven-year-old Sonia Pivac.
This popular series was an early NZBC "pictorial magazine" show that explored "New Zealand’s backyard". Synonymous with producer Conon Fraser, the it was a staple of Sunday night 60s TV. Subjects ranged from Chatham Islands lobster fisheries, to Central Otago frost fires, to Miss New Zealand contestants. The show was praised in a 1968 NZ TV Weekly review as breaking new ground in relying more on imagery and interviewees' reflective voice-overs than (then usual) omniscient narration: "one of the few pure Television productions to have originated within the NZBC."
The last drama to be made in-house by TVNZ, The Champion was written by author Maurice Gee at the behest of producer Ginette McDonald after the success of their collaboration on The Fire-Raiser. Set in Henderson, West Auckland over three weeks in early 1943, it centres on 12 year old Rex (Milan Borich — later the lead singer in Pluto) and a black American GI billeted with his family. This tough, accomplished drama looks unflinchingly at racism and prejudice — both imported and local — and is ample testimony to the skills of its writer, cast and crew.
Mortimer’s Patch was a popular drama series following Detective Sergeant Doug Mortimer (Terence Cooper) at work in the town of Cobham. Mortimer plays a city cop returning to his rural roots; Don Selwyn is Sergeant Bob Storey. The series was NZ’s first police drama, and a rare local drama to top ratings. Mortimer's Patch was made when the archetype of the ‘community cop’ everyone knew was still a powerful one, and it was a counterweight to the faceless riot policing of the Springbok Tour. Three series were made.
Tangata Whenua was a groundbreaking six-part documentary series that screened (remarkably in primetime) in 1974. Each episode chronicled a different iwi and included interviews by historian Michael King with kaumātua. These remain a priceless historical record. The Feltex Award-winning script was by King and director Barry Barclay. The NZBC said the series had "possibly done more towards helping the European understand the Māori people, their traditions and way of life, than anything else previously shown on television". Paul Diamond writes about Tangata Whenua here.
The Governor was a television epic that examined the life of Governor George Grey in six thematic parts. Grey's "Good Governor" persona was undercut with laudanum, lechery and land confiscation. NZ TV's first (and only) historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. Auckland Star reviewer Barry Shaw trumpeted: "It has made Māori matter. If Pākehā now have a better understanding of the Māori point of view [...] it stems from The Governor.
Five-part series The New Zealand Wars took a new look at the history of Māori vs Pākehā armed conflict. It was presented by historian James Belich, who with his arm-waving zeal proved a persuasive on-screen presence: "we don't need to look overseas for our Robin Hood, our Genghis Khan, Joan of Arc, or Gandhi". The popular series reframed NZ history, and its stories of Hōne Heke, Governor Grey, Tītokowaru, Te Whiti, Von Tempsky and Te Kooti, easily affirmed Belich's conviction. The New Zealand Wars was judged Best Documentary at the 1998 Qantas Media Awards.