This series centred on a weekly TV current affairs programme in mid-90s Wellington. Katie Wolfe stars as stroppy journalist Amanda Robbins: lured back from Australia for her tabloid style in an effort to boost the show's ratings. Tackling timely storylines and shot ‘handheld’ in the NYPD Blue-inspired style, the TV3 series was well reviewed but faced its own ratings struggles (a later series screened on TV One). It was Gibson Group’s second foray into producing a TV drama series, after Shark in the Park. A pre-Lord of the Rings Fran Walsh was a series writer.
American journalist George Plimpton was a pioneer of ‘participatory journalism’; writing stories describing his experiences trying on the shoes of boxer, comedian and trapeze artist. In Kiwi TV series The Deep End, reporter Bill Manson tested himself by taking turns as a professional wrestler, female impersonator, captain of a navy frigate, and so-called Mum to a family of 18 kids, among others. The globe-travelling journalist later said the show was one of the projects that remained dearest to his heart, despite — or because of — its mixture of joy and terror.
Magazine show Weekend dates from an era just before NZ television underwent major change: the series ended shortly before the finish of ad-free Sundays, and new competition from TV3 in 1989. The mainstay of each extended live show was journalist Gordon McLauchlan, who took the time to introduce items over a cup of tea, and handled studio interviews. Joining him at various points was Kerry Smith, Judy McIntosh, Terry Carter, and food/wine expert Vic Williams. Weekend won three Listener awards for Best Factual Series; in 1987 McLauchlan was named Best Presenter.
TV personality Jaquie Brown plays (and plays up) herself for delightful comic effect in this hit TV3 satire. Former Campbell Live reporter Brown plays an egomaniacal journalist looking to climb the media ladder any which way she can. Auckland's aspirational set: a cast of Metro social page alumni and wannabes, are skewered with self-referential glee. The second series was retitled for DVD release as The Jaquie Brown Odyssey; both series won acclaim and Best Comedy gongs at the Qantas Film and TV Awards. The Listener gushed: "A local sitcom that doesn't suck."
Coming Home chronicled Kiwi successes abroad, by profiling New Zealanders living and working overseas, then following them back to Aotearoa when they made a return visit. Each episode of the Touchdown Productions series was grouped roughly geographically, with two or three expat New Zealanders featured per episode. Among those reminiscing upon home and opportunity were businesswoman Mary Quin, motor racing legend Steve Millen, journalist Peter Arnett, model Kylie Bax, psychologist John Money, law lecturer Judith Mayhew and singer Patrick Power.
Good Day was launched in March 1978 to succeed Today at One with producer Tony Hiles promising "an entertaining magazine programme with the magazine aspect spread over the whole week". The Avalon based show, which ran for two years, aired at 1pm on weekdays and featured regular reports and human interest stories from around the regions, studio interviews, book and film reviews, and consumer, arts and gardening segments. Political journalist Simon Walker was an early staffer while Dylan Taite contributed reports from Auckland.
Today Live was an interview show hosted by journalist Susan Wood; it was aimed at “the lighter, more conversational end of the spectrum” from her work at the time as stand-in on Holmes. Part of TVNZ’s search for a lead-in to the 6pm news, it screened 5:30pm weeknights from March 2000 to December 2001. Each episode typically featured three interviews with regular reviewers and guests that included actors, authors, sports people, musicians and newsmakers. Auckland’s rush hour traffic and weather provided a backdrop, courtesy of a rooftop studio with a glass wall.
Award-winning Māori current affairs show The Hui sets out “to increase understanding and awareness among mainstream New Zealand about the issues facing Māori and the unique aspects of our culture.” The format includes interviews, investigative reports and panel discussions. Fronted by journalist Mihingarangi Forbes, it screens on Sunday mornings on Three. An April 2017 Hui report on the experiences of men who were abused in state boys' homes won acclaim, and led to a government inquiry. The Hui is produced by Great Southern Television.
This four-part series from 1996 presents the game of rugby as a mirror for New Zealand social history. Written by Finlay Macdonald, it sets out to explain how rugby became such an intrinsic part of New Zealand's identity. Each episode visits iconic paddocks (from schools to stadiums) and players (from amateurs Nepia, Meads, and Shelford, to professional star Lomu); and observers muse on the influence of the inflated pig's bladder on Kiwi culture, including historian Jock Phillips, writer Ian Cross and journalist TP Mclean.
Arts magazine series For Arts Sake screened on TV ONE for two hours on Sunday mornings for 22 weeks in 1996. The show featured a range of artists including dancer/choreographers Michael Parmenter and Mary Jane O'Reilly, playwright Hone Kouka, sculptor Michael Parekowhai, painter Graham Sydney, photographer Ans Westra, and animator and sculptor Len Lye. Former TV current affairs journalist Alison Parr was the show's presenter and interviewer. Each week's programme had a theme represented by local stories and interviews, as well as international items.