Mortimer’s Patch was a popular drama series following Detective Sergeant Doug Mortimer (Terence Cooper) at work in the town of Cobham. Mortimer plays a city cop returning to his rural roots; Don Selwyn is Sergeant Bob Storey. The series was NZ’s first police drama, and a rare local drama to top ratings. Mortimer's Patch was made when the archetype of the ‘community cop’ everyone knew was still a powerful one, and it was a counterweight to the faceless riot policing of the Springbok Tour. Three series were made.
Town and Around was a nightly magazine show, covering everything from current affairs and studio interviews to slapstick to stunts; including a notorious spoof on a farmer who shod his turkeys in gumboots. A popular and wide-ranging regional series, it ran for five years from 1965, and was the training ground for a generation of industry professionals (Brian Edwards, David McPhail, and Des Monaghan amongst many others). Town and Around was made prior to a national network link, and editions came out of Auckland, Wellington, Christchurch and Dunedin.
Star English interviewer David Frost was international television royalty when he jetted into New Zealand in 1973 to host a series of six hour long shows which were produced by Des Monaghan and directed by Kevan Moore (the longest duration he’d worked on). In the NZBC’s most ambitious undertaking up until then, the six episodes were recorded in just four days. The series began with political leaders — Prime Minister Norman Kirk and Leader of the Opposition Jack Marshall. The other subjects were abortion, obesity, champion athletes, marriage and children.
In the heady days of Beatlemania, Let's Go was the first viable successor to In The Groove (NZ's first TV pop music show in 1962). It was devised and produced by Kevan Moore — with DJ Peter Sinclair in his first big presenting role. Recorded in Wellington at the NZBC's Waring Taylor Street studio (with its notorious sloping floor a challenge for the big cameras), it featured a resident band — first The Librettos and then the Pleasers. Let's Go only lasted two years, but in 1967 Moore and Sinclair teamed up again for the hugely successful C'mon.
New Zealand TV and the space race grew up hand in hand. For 11 years, self-taught astronomer and enthusiast Peter Read explained each new development and talked about what could be seen in the heavens on his monthly show Night Sky. A commercial artist by training, Read painted the set’s early backdrops. He made several trips to the USA to witness launches, interviewed visiting astronauts and, with models in hand, broadcast live on the night of the first moon landing. When it was cancelled in 1974, Night Sky was the country’s longest running show.
Sing featured Kiwi entertainers performing popular songs and musical standards, accompanied by a bevy of dancers. The performers included Craig Scott, Ray Woolf, Angela Ayers, Chic Littlewood and musical comic relief Laurie Dee. The hair was big and the collars large, while songs tended towards the middle of the road — for example 'Love is All Around', Tom Jones and Glen Campbell.
C’mon brought the hits of the day into New Zealand living rooms for three years in a tightly scripted, black and white frenzy of special effects, pop art sets, go-go girls and choreographed musicians while host Pete Sinclair kept the pace cracking with breathless hipster charm. Most of the stars of the day appeared at one time or another but sadly only two episodes have survived. As the 60s finished C’mon fell victim to the fragmenting of the music world and the arrival of darker music that the show could no longer turn into family friendly viewing.
This classic kids’ adventure tale follows a 13-year-old boy on a quest to find his father, missing amidst the 1860s Otago gold rush. When it launched in September 1976, the 13 part series was the most expensive local TV drama yet made. Under the reins of director Tom Parkinson, the series brandished unprecedented production values, and panned the Central Otago vistas for all their worth. Its huge local popularity was matched abroad (BBC screened it multiple times); it showed that NZ-made kids’ drama could be exported, and helped establish the new second television channel.