Government filmmakers the National Film Unit launched Pictorial Parade two years after the demise of Weekly Review. It was another 10-minute magazine programme, but this time monthly, rather than weekly. It was the NFU’s major product for the next 20 years. In 1950 the NFU had been moved from under the wing of the Prime Minister’s Department, to be controlled by the Tourist and Publicity Department. The Pictorial Parade was seen as a move away from the political in government filmmaking, and a return to the promotional role of the early scenic films.
Comedians Eteuati Ete and Tofiga Fepulea'i launched their stage act in 2003. For the next 13 years they toured Laughing Samoan shows through Australasia, the Pacific Islands and beyond. Skits lampooned PI life in Niu Sila; subjects ranged from 'island time' to funerals, and included popular characters like Aunty Tala (played by Fepulea'i). The eight-part series was conceived by Aaron Taouma and produced by TVNZ’s Pasifika department. Pairing sketches and interviews with excerpts from a Laughing Samoans theatre tour, it was given an 11pm timeslot on TV2.
Breakfast first aired in August 1997 on TV One. Screening five mornings a week over a three hour time slot, the programme mixes news and entertainment interviews with updates of news, sport and weather. The format of one male and one female presenter began with original hosts Mike Hosking and Susan Wood, and has included Pippa Wetzell and Paul Henry (who won controversy for Breakfast comments about an Indian politician), and Brit Rawdon Christie and Alison Pugh. A Saturday version of Breakfast was trialled in 2011, but abandoned the next year.
Four-part series Revolution mapped sweeping social and economic change in New Zealand society in the 1980s and early 1990s. Described as a “journalist's assembly” by its makers, it collected together interviews with the major players and archive footage. Producer Marcia Russell: “We wanted to make Revolution because we believed that unless we re-run and re-examine our recent history we are in constant danger of forgetting, and forgetting can render us passive about the present and slaves of the future.” It won Best Factual Series at the 1997 Film and TV Awards.
The iconic all-things-rural show is the longest running programme on New Zealand television. With its typical patient observational style (that allows stories of people and the land to gently unfold) it’s an unlikely broadcasting star, but New Zealanders continue, after 50 plus years, to tune in. Amongst the bucolic tales of farming, fishing and forestry, there are high country musters, floods, organic brewing, falconry, tobacco farming, as well as a fencing wire-playing farmer-musician, a radio-controlled dog, and Fred Dagg and the Trevs.
This classic kids’ adventure tale follows a 13-year-old boy on a quest to find his father, missing amidst the 1860s Otago gold rush. When it launched in September 1976, the 13 part series was the most expensive local TV drama yet made. Under the reins of director Tom Parkinson, the series brandished unprecedented production values, and panned the Central Otago vistas for all their worth. Its huge local popularity was matched abroad (BBC screened it multiple times); it showed that NZ-made kids’ drama could be exported, and helped establish the new second television channel.
After turning "Jeez Wayne" into a national catchphrase with the sketch show A Week of It, comedy duo David McPhail and Jon Gadsby (plus third writer AK Grant) followed with McPhail & Gadsby, which aired on TVNZ for seven seasons — plus a reprise in 1998 and 1999. After a sometimes controversial debut season in which each episode was devoted to a specific theme (religion, sex etc), the show settled into a steady diet of political satire, spoofs and impersonations of public figures — including McPhail's famous caricature of PM Robert 'Piggy' Muldoon.