This mid '70s ad campaign, made by the National Film Unit for the Tourist and Publicity Department, was aimed at the domestic market and offers nostalgic delights aplenty. 'Nightlife' focused on city bars and clubs, and 'Oldies' showcased options for retirees (scenic bus tours). Another version urged families to ditch the car (amidst the oil crisis) and take public transport to see the country; and in a classic of the genre pop star Craig Scott was a beach pied piper for adoring young Kiwis: "We're in God's own country, we gotta take the tiiiime ...".
Funny As traces the history of New Zealand comedy through archive footage, and extensive interviews with local comedy talent. Debuting on TVNZ 1 in July 2019, the five-part series explores how Kiwis "have used comedy to navigate decades of profound cultural change". Funny As touches on everything from live and musical comedy, to pioneers of Kiwi screen humour (e.g. Fred Dagg, Lynn of Tawa) and the hit exports of later years (Flight of the Conchords, Rose Matafeo). The series was made by production/creative agency Augusto, and produced by comedy veteran Paul Horan.
Five-part series The New Zealand Wars took a new look at the history of Māori vs Pākehā armed conflict. It was presented by historian James Belich, who with his arm-waving zeal proved a persuasive on-screen presence: "we don't need to look overseas for our Robin Hood, our Genghis Khan, Joan of Arc, or Gandhi". The popular series reframed NZ history, and its stories of Hōne Heke, Governor Grey, Tītokowaru, Te Whiti, Von Tempsky and Te Kooti, easily affirmed Belich's conviction. The New Zealand Wars was judged Best Documentary at the 1998 Qantas Media Awards.
This popular series was an early NZBC "pictorial magazine" show that explored "New Zealand’s backyard". Synonymous with producer Conon Fraser, the it was a staple of Sunday night 60s TV. Subjects ranged from Chatham Islands lobster fisheries, to Central Otago frost fires, to Miss New Zealand contestants. The show was praised in a 1968 NZ TV Weekly review as breaking new ground in relying more on imagery and interviewees' reflective voice-overs than (then usual) omniscient narration: "one of the few pure Television productions to have originated within the NZBC."
This documentary series was presented by the legendary Selwyn Toogood. These New Zealanders was one of Toogood's first appearances for television, having previously become a household name as a radio host. The National Film Unit production was part-documentary, part-magazine, and part-travelogue, and took Toogood to six towns to capture their character and people. The towns visited were Gore, Benmore, Motueka, Huntly, Gisborne and Taupō. It provides a fascinating perspective of New Zealand life in the 1960s.
This major documentary series chronicles the first half century of Kiwi television. Made for the Prime network (after being declined by TVNZ), it examines the medium’s evolution across seven episodes. After an opening 70 minute overview, individual programmes covered the stories of sport, entertainment, drama and comedy, protest coverage, New Zealand identity and Māori television — with an impressive array of interviews, and 50 years worth of telly highlights. John Bates was nominated for Best Documentary Director at the 2011 Aotearoa Film and TV Awards.
Based on the hugely successful Got Talent franchise created by Simon Cowell, this nationwide TV talent quest first screened on Prime for one season in 2008. It was revived by TV One in 2012 and 2013. The Prime hosts were Andrew Mulligan and radio DJ Jason Reeves, with judges Miriama Smith, Paul Ellis and Richard Driver. From 2012 the host was Tamaiti Coffey, with model/actor Rachel Hunter, Opshop frontman Jason Kerrison and UB40's Ali Campbell as judges. American choreographer Cris Judd replaced Campbell for the 2013 series.
New Zealand Mirror was a National Film Unit 'magazine-film' series aimed at a British theatrical audience. Mostly re-packaging Weekly Review and later, Pictorial Parade content for receptive UK eyes, it also generated a small amount of original content. The series covered items showcasing NZ to a British market and as such has some interest as a post-war representation of New Zealand's burgeoning sense of national identity, from peg-legged Kiwis and children feeding eels, to the discovery of moa bones, to pianist Richard Farrell.
Great New Zealand River Journeys was a three part series produced by George Andrews that examined the history, geography and people of three of New Zealand's most iconic rivers: comedian Jon Gadsby explores the Clutha river, poet Sam Hunt the Whanganui, and musician Lynda Topp takes on the Waikato.
This series of 25 half-hour documentaries for TV One explored diversity in New Zealand and beyond, including across ethnicity, gender and religion. Among the locations are quake-ravaged Christchurch, New Plymouth's Womad festival, a firefighters’ contest in Australia and slums in Manila. Subjects include a Malaysian-born plastic surgeon, Wellington 'Supergrans' helping council tenants, a prison choir, a Burmese expatriate awaiting heart surgery and a Sudanese artist. Three production companies contributed episodes: Pacific Screen, Melting Pot, and Paua Productions.