This series from the early 1980s profiles prominent painters and sculptors (including Neil Dawson, Greer Twiss, Jeffrey Harris and Richard Killeen). It was made for TVNZ (in association with the Queen Elizabeth II Arts Council) by Bruce Morrison and used art critic and historian Hamish Keith as a technical advisor. Morrison’s camera captures the artists at work and reviewing their careers and notable works, and he allows them to tell their stories entirely in their own words without the presence of onscreen interviewer or voiceover commentary.
The Edge was an early edition in a series of magazine style arts shows made by the Gibson Group. Later shows included Sunday, Bookenz, Bill Ralston-hosted Backch@t, and Frontseat. Diverging from then-standard Kaleidoscope model (sometimes lengthy documentaries, often on single subjects) The Edge took a faster-paced approach, with multiple pieces in a half hour show. Subjects ranged from the birth of special effects company Weta to early landscape painter Alfred Sharpe. Fronted by writer Mary McCallum, two series and over 60 episodes of the show were produced.
Arts magazine series For Arts Sake screened on TV ONE for two hours on Sunday mornings for 22 weeks in 1996. The show featured a range of artists including dancer/choreographers Michael Parmenter and Mary Jane O'Reilly, playwright Hone Kouka, sculptor Michael Parekowhai, painter Graham Sydney, photographer Ans Westra, and animator and sculptor Len Lye. Former TV current affairs journalist Alison Parr was the show's presenter and interviewer. Each week's programme had a theme represented by local stories and interviews, as well as international items.
Launched in 2005, Artsville was a long-running documentary slot showcasing New Zealand art and artists. The subjects ranged from painters and comic artists, to theatre and dance companies. Pieces varied from hour-long documentaries to multiple items compiled together, all for a late night slot on TV One. Among the directors commissioned were Mark Albiston (award-winner Magical World of Misery), Shirley Horrocks (Questions for Mr Reynolds) and Andrew Bancroft (Book to Box Office). Artsville was repeated on Freeview channel TVNZ 6 (now defunct).
New Zealand TV and the space race grew up hand in hand. For 11 years, self-taught astronomer and enthusiast Peter Read explained each new development and talked about what could be seen in the heavens on his monthly show Night Sky. A commercial artist by training, Read painted the set’s early backdrops. He made several trips to the USA to witness launches, interviewed visiting astronauts and, with models in hand, broadcast live on the night of the first moon landing. When it was cancelled in 1974, Night Sky was the country’s longest running show.
After turning "Jeez Wayne" into a national catchphrase with the sketch show A Week of It, comedy duo David McPhail and Jon Gadsby (plus third writer AK Grant) followed with McPhail & Gadsby, which aired on TVNZ for seven seasons — plus a reprise in 1998 and 1999. After a sometimes controversial debut season in which each episode was devoted to a specific theme (religion, sex etc), the show settled into a steady diet of political satire, spoofs and impersonations of public figures — including McPhail's famous caricature of PM Robert 'Piggy' Muldoon.
Mortimer’s Patch was a popular drama series following Detective Sergeant Doug Mortimer (Terence Cooper) at work in the town of Cobham. Mortimer plays a city cop returning to his rural roots; Don Selwyn is Sergeant Bob Storey. The series was NZ’s first police drama, and a rare local drama to top ratings. Mortimer's Patch was made when the archetype of the ‘community cop’ everyone knew was still a powerful one, and it was a counterweight to the faceless riot policing of the Springbok Tour. Three series were made.
A magazine show with an edge, The Living Room did for arts television production what Radio With Pictures did for New Zealand music — it ripped open the venetian blinds, rearranged the plastic-covered cushions, and shone the light on Aotearoa’s homegrown creative culture. Often letting the subjects film and present their own stories, it was produced for three series by Wellington’s Sticky Pictures, who would go on to make another arts showcase, The Gravy. Amidst the calvacade of Kiwi talent, Flight of the Conchords and musician Ladi6 made early screen appearances.