Gibson Group production Public Eye was inspired by the British series, Spitting Image. Latex puppets caricature topical personalities, mostly drawn from the world of politics (Ruth Richardson, Helen Clark, Winston Peters etc). Their foibles are duly skewered in fast-moving comic skits such as the 'Ruatoria Rasta' segment, 'The White Way' and 'Honky Tanga'. The wickedly grotesque puppets were based on drawings by cartoonist Trace Hodgson, and built by a team headed by future Weta FX maestro, Richard Taylor.
One of two much loved children’s shows written and presented by English born entertainer Chic Littlewood in the late 70s and early 80s. The other was Chic-a-boom — and more than 500 episodes were made of the two programmes in what now looks like a much gentler era of children’s television. Littlewood was aided and abetted by various puppets including Nowcy the Dog and the McNabb family of Scottish mice (including the mischievous and contrary Willie). Assisting with the puppets was actor, and stalwart of Auckland theatre, Alma Woods.
The irrepressible Suzy Cato (who previously presented TV3's Early Bird Show and 3pm) presents a programme for pre-schoolers. From a set designed to look like a house with bathroom, bedroom and live garden, Suzy talks directly to her audience and makes extensive use of te reo. A multi-cultural focus also comes through in the show's stories, songs, animations and puppetry. Suzy's on-set companions are a doll, teddy bear, clown and scarecrow — and a sock puppet family makes regular appearances. More than 2000 episodes were made in eight years.
The magpie quardle oodled and the narrator uttered, "Welcome to Woolly Valley", in the intro to this children's TV classic. The low-tech puppet show with its rustic charm was familiar to a generation of kids who grew up in the 80s. It follows the lives of woolly-haired farmer Wally and his long-suffering wife Beattie, who live with talking ewe Eunice. Also featured is hippie Tussock, voiced by Russell (Count Homogenized) Smith. Woolly Valley marked an early piece of screenwriting by children's writer Margaret Mahy.
Ambitious Jonathan Gunson-created children's series Space Knights pitched the King Arthur myth into a zany sci fi universe of Knights of the Round Space Station, Vader-esque villains, and laser lance jousting. The distinctive look of this early South Pacific Pictures series — like a picture book come to life — was developed by Listener cartoonist Chris Slane, and achieved by using actors in life-size puppet suits and blue screen effects. The series was 22 half hour episodes and screened internationally. The memorable 'Space Junk' theme song was by Dave Dobbyn.
Bryan and Bobby are not your average police team. Bryan is real-life constable Bryan Ward; Bobby is a curious talking puppy. The two use humour and everyday situations to encourage children to make good, safe decisions for themselves and those around them. The duo made their screen debut on TV3. Since then they have been seen on TV, DVD and the internet, and used in educational resource kits. Their safety messages have won thousands of pint-sized fans during visits to primary schools. The show was created by Ward and children's TV veteran Suzy Cato.
Like the eponymous native plant this children's puppetry programme stuck to the socks of many kiwis of a certain vintage. Produced in Dunedin by TVNZ's Natural History Unit (now independent production company NHNZ) Bidibidi followed the adventures of a sheep on a South Island station for two series. Bidibidi was adapted from the children's book by Gavin Bishop. Each programme interspersed puppet scenes and musical numbers with the expected first-rate NHU-shot footage of birds and other animals that Bidibidi meets en route, from kea to skinks and bitterns.
The Son of a Gunn Show was a popular 90s after school links show for kids. It was hosted by the irrepressible Jason Gunn, who wrangled proceedings with the help of alien puppet sidekick Thingee. The energetic show took in everything from song and dance numbers, and educational segments, to spoofs and impressions (often Frank Spencer) as Gunn et al played in loco parentis to a generation of Kiwi kids. Guests included sports and show business celebrities of the day. The show ended when TVNZ moved their children’s production from Christchurch to Wellington.
After School was a hosted links format that screened on weekday afternoons. Its initial host was Olly Ohlson, who was the first Māori presenter to anchor his own children's show. After School also broke ground in its use of te reo Māori on screen, as well as sign language. The show and Ohlson are remembered by a generation of New Zealanders for the catchphrase (with accompanying sign language) "Keep cool till after school". After School was later hosted by Jason Gunn and Annie Roache, and was where puppet Thingee achieved small screen fame.
After several years working for TV3, animator and creature creator Cameron Chittock decided to create his own children's series. Plans for a live action show involving puppets proved unfeasible; instead Oscar and his two imaginary friends were brought to life with a mixture of stop motion and traditional animation. Chittock worked with veteran Euan Frizzell, and enlisted Aardman legend Richard Starzak (Shaun the Sheep) to help train up the Kiwi animation team. The 26 five-minute episodes screened in New Zealand and abroad, including the UK, USA and Australia.