The chair series key image
Series

The Chair

Television, 2002

The concept behind this game show is that contenders can't hide their nerves. They're wired up to a heart-rate monitor and given a "redline rate" that is 70% above their resting heart rate. If their heartrate goes over the line the contestant starts losing money and can't answer questions until their heart slows down again. Hosted by ex-rugby and league player Matthew Ridge, The Chair was a big-budget, big-event format that was made first in New Zealand and proved a significant export success for Touchdown (now Warner Bros.) selling to 29 territories.

10624.thumb
Series

Cover Story

Television, 1995–1996

This series centred on a weekly TV current affairs programme in mid-90s Wellington. Katie Wolfe stars as stroppy journalist Amanda Robbins: lured back from Australia for her tabloid style in an effort to boost the show's ratings. Tackling timely storylines and shot ‘handheld’ in the NYPD Blue-inspired style, the TV3 series was well reviewed but faced its own ratings struggles (a later series screened on TV One). It was Gibson Group’s second foray into producing a TV drama series, after Shark in the Park. A pre-Lord of the Rings Fran Walsh was a series writer.

Holmes  prime  series key
Series

Holmes (Prime Television)

Television, 2006

After 15 years on TV One, Paul Holmes left his high-rating slot for rival network Prime. New half-hour show Paul Holmes debuted in February 2005, but poor ratings meant it lasted only six months. The following April, Prime debuted the hour-long Holmes, which concentrated on longer interviews with people from business, the arts, sports and politics. Holmes argued the format allowed him the “opportunity to find out what makes the guests tick”. He called it “a style of broadcasting that has been missing from the New Zealand television landscape for a number of years”. 

10794.thumb
Series

The Insiders Guide to Happiness

Television, 2004

The Insiders Guide to Happiness follows the interconnecting lives of eight 20-something characters — one of them dead — as they search for happiness. Dramatic, comic, sexy, surreal, the drama won critical acclaim and was a ratings success. An ambitious chaos theory-derived 'meta' concept is underpinned by strong performances from the ensemble of burgeoning acting talent, and stylishly-shot Wellington city locations. The Gibson Group production won seven awards at the 2005 NZ Screen Awards, including Best Drama and Best Director (Mark Beesley)

10656.thumb
Series

Inside Straight

Television, 1984

Shot on location in Wellington, often after dark, Inside Straight helped usher in a new era of Kiwi TV dramas, far from the rural backblocks. This Minder-esque portrait of Wellington’s underworld was inspired by writer Keith Aberdein’s experiences as a taxi-driver and all night cafe worker. Phillip Gordon (soon to win fame as a conman in Came a Hot Friday) stars as the former fisherman, learning the ways of the city from veteran taxi driver Roy Billing. A solid but unspectacular rater over 10 episodes, the show was scuttled by the launch of trucker’s tale Roche.

Real for real people with jo seagar series thumb
Series

Real Food for Real People with Jo Seagar

Television, 1998–1999

Well-known Kiwi chef Jo Seagar trained as a cordon bleu chef in London and France, before returning home to promote a culinary style involving “maximum effect, minimum effort.” Her 1997 best-selling book You Shouldn't Have Gone To So Much Trouble, Darling caught TVNZ’s attention and Real Food marked her TV debut. The two series covered recipes from sushi to pecan pie. In a 2012 interview with Avenue, Seagar mentioned that the show rated highly, despite Television New Zealand initially telling her that a food show would never screen in primetime.

Rocked the nation series thumb
Series

Rocked the Nation

Television, 2008–2011

Rocked the Nation launched in 2008 with six one hour-long shows. Production company Satellite Media ransacked the archives and interviewed protagonists, to survey 100 key moments in Kiwi music history: including smash hits, riots, TV talent shows, and sex, drugs and rock’n’roll. Hosted by Karyn Hay, the series screened on C4 during NZ Music Month, and was the channel’s highest-rating series to that date. Follow-up series counted down 100 New Zealand Pop Culture Stories (2009, hosted by Rhys Darby) and 100 New Zealand Sporting Moments (2011, hosted by Dai Henwood). 

10724.thumb
Series

Mortimer's Patch

Television, 1980–1984

Mortimer’s Patch was a popular drama series following Detective Sergeant Doug Mortimer (Terence Cooper) at work in the town of Cobham. Mortimer plays a city cop returning to his rural roots; Don Selwyn is Sergeant Bob Storey. The series was NZ’s first police drama, and a rare local drama to top ratings. Mortimer's Patch was made when the archetype of the ‘community cop’ everyone knew was still a powerful one, and it was a counterweight to the faceless riot policing of the Springbok Tour. Three series were made.

10511.thumb
Series

Hanlon

Television, 1985

This was New Zealand's first big historical drama after the controversy over the cost of The Governor almost a decade earlier. Over seven episodes — set between 1895 and 1914 — it followed the life of Dunedin barrister Alf Hanlon, focussing on six of his most important cases. British actor David Gwillim played Hanlon, while Australian Robyn Nevin was cast as convicted baby murderer Minnie Dean in the first and most celebrated episode. A major critical, ratings and awards success, it immediately recouped its budget when the Minnie Dean episode spurred a big international sale.

10739.thumb
Series

Off the Rails

Television, 2004–2005

Off the Rails was a 12-part journey through the railway memories of New Zealand, with raconteur Marcus Lush at the wheel. With a trainspotter's reverence for ways rail, the beautifully shot, and gently wry travelogue guided viewers around (with thanks to the Raurimu Spiral) the heart of Aotearoa. Off the Rails’ award-winning achievement was to show that energetic storytelling (Super 8 footage, contemporary pop score and snappy editing), combined with the homespun charms of local subject matter, could make for high-rating television.