Based on an overseas format, Touchdown reality series Captive was based on a simple idea: five strangers move into a penthouse apartment and as long as they want to stay in the competition, they cannot leave. Luckily there is motivation, in the form of prizes worth up to $40,000. Contestants are quizzed not only on trivia, but on their fellow housemates. At the end of each episode, whoever fared worst in the quiz is evicted from the house empty-handed, and replaced. Alliances are formed and new friendships broken as they attempt to get to know each other.
American journalist George Plimpton was a pioneer of ‘participatory journalism’; writing stories describing his experiences trying on the shoes of boxer, comedian and trapeze artist. In Kiwi TV series The Deep End, reporter Bill Manson tested himself by taking turns as a professional wrestler, female impersonator, captain of a navy frigate, and so-called Mum to a family of 18 kids, among others. The globe-travelling journalist later said the show was one of the projects that remained dearest to his heart, despite — or because of — its mixture of joy and terror.
Eating Media Lunch satirised mainstream media, from "issues of the day" journalism to reality TV to the society pages (lampooned in the "celebrity share market index index"). No fish was too big or barrel too small. Presenter Jeremy Wells kept a straight face over seven seasons of often controversial episodes, while investigating issues inexplicably missed by other media (eg the porno film made in Taranaki and shot in te reo, or ritalin-fueled reality programme Medswap). EML's seventh season won Best Comedy Programme at the 2008 Qantas Film and Television Awards.
Popstars was a key part of the late 1990s reality television explosion. The series followed the creation and development of all-female pop band TrueBliss (Carly Binding, Keri Harper, Joe Cotton, Megan Alatini and Erika Takacs). The five singers went on to record several chart-topping singles, and a platinum-selling album. Also a hit was the series format, which sold around the world and helped inspire Pop Idol/American Idol, the franchise that would dominate reality television for years to come. Popstars was named Best Entertainment Programme at the 1999 NZ Television Awards.
Hosted and created by comedians Pani and Pani, this Māori Television reality show aimed to "sort the bro’s from the boys" by testing 12 Polynesian men on their ability to tackle traditional warrior skills. The popular bros-meets-The Bachelor series produced shirtless calendars and an award-winning 'Lover Boy vs Lavalava Boy' advertising campaign. As of 2017, two seasons had been made by Tiki Lounge Productions. In the second, ex-league player and Code host Wairangi Koopu joined as Games Master. Stuff reviewer Pattie Pegler praised the show’s self-deprecating approach.
Flipping reality television on its head, this 2004 show saw Hawkes Bay vineyard worker Sam Chambers competing on a reality series, unaware he was the only real thing on it. The Kiwi take on American cable TV hit The Joe Schmo Show was produced by Touchdown Productions. Writers and cast (some of whom had never acted before) had to adapt to unexpected alliances and events, while Mark Ferguson revelled in the role of smarmy host, crossing lines of acceptable behaviour with some of the contestants. When the ruse was finally revealed, Chambers got $50,000 in prize money.
Led by choreographer and Young New Zealander of the Year Parris Goebel, South Auckland hip hop dance crew Royal Family have won global fame, choreographing and dancing for acts from Jennifer Lopez to Nicky Minaj. This seven part Māori Television reality series follows four dancers as they train with the crew, en route to the 2015 Hip Hop world champs. Made by Charlotte Purdy of Rogue Productions, the series was shot by Jared Leith from Hamilton's Taktix Films, who also shot and edited The Palace’s video for Justin Bieber hit 'Sorry' (watched on YouTube two billion + times).
This reality television series set out to show that “you don’t have to be extreme to be green” by putting households through a green audit. Each week journalist Francesca Price gave a new family the WA$TED! treatment, gifting them in cash what their planet-friendly conversion had cut from bills. Created by producer Carthew Neal, the eco twist on the DIY/home makeover genre screened for two seasons on TV3 and the format sold globally (a US version screened on Planet Green). The show’s production walked the sustainable talk by eg. reusing props and crew carpooling.
Debuting in 2002, Moon TV parodied talk shows, soaps and almost every type of reality television, occasionally leaving viewers wondering if they were watching truth or take off. Created by Leigh Hart — aka That Guy on SportsCafe — it mixed written and improvised material, roadtesting sketches which later spawned their own series, including talk show Late Night Big Breakfast and Leigh Hart's Mysterious Planet. Nominated twice for Best Comedy Programme, Moon TV 's sketches included a regular book slot featuring writer Joe Bennett, a medical spoof and Hamsterman from Amsterdam.
This 2016 Māori Television reality series follows Te Urewera-bred, Cambridge-based bushman Owen Boynton as he travels Aotearoa – from the East coast to the Chathams – exploring traditional hunting techniques and the kaupapa behind them. The focus is on hunting as a way of life and to provide kai, rather than as a recreational pursuit or paleo diet fad. Eight 30 minute episodes of hunting, fishing and bushcraft screened in 2016. Produced by Julian Arahanga and Awa Films, the series sprung from bow-maker Boynton’s large following on Facebook.