Made at Auckland's Media Design School, these CGI short films combine the expertise of lecturer James Cunningham (director of award-winners Poppy and Infection) with the raw smarts and hard work of his 3D animation students. With established industry talents (e.g. writer Nick Ward and cameraman Simon Riera) helping guide the students, the results have won awards and selection to impressive international festivals, including SIGGRAPH. 2011's effort saw the screen debut of alien hunter Dr. Grordbort, originally created by Weta Workshop's Greg Broadmore.
The Benson & Hedges Fashion Design Awards were the big fashion event of the year from the mid 60s through to the 90s. The show was organised by Josephine Brody, with a TV version screening later. Model turned agent Maysie Bestall-Cohen organised the ‘B&H’ from 1982. An early 80s screen hiatus ended with TVNZ screening a live-to-air show from 1984 to 1998 — the Michael Fowler Centre event was one of its biggest outside broadcasts. In the later 90s the show was known as the Smokefree Fashion Design Awards (after tobacco company sponsorships were outlawed).
Houses have long been central to New Zealand's identity, from the whare to the quarter-acre pavlova paradise, to The Block and the 2000s Auckland bubble. This TVNZ ‘home show’ looks at the obsession, circa the early 90s: exploring contemporary grand designs, renovation dilemmas, and meeting Kiwi personalities of the era in their homes. The first of four series was presented by actor Jennifer Ward-Lealand and builder (and future Dunedin mayor) Dave Cull. Jim Hickey and Jude Dobson later joined Cull. The show spawned a 1994 book written by Cull and Stuart Niven.
The Big Art Trip was a TVNZ arts series that took the form of a road trip around New Zealand visiting artists in their homes or studios. The series featured two presenters — design writer and art historian Douglas Lloyd Jenkins teamed with screenwriter Nick Ward in the first series, and with musician Fiona McDonald in the second. Ward and McDonald were very much the neophytes — the everyperson asking questions on behalf of the audience that allowed Lloyd Jenkins to background, contextualize and explain what was being seen, heard and experienced.
Peppermint Twist’s pastel-tinted portrait of 60s puberty floated onto New Zealand television screens in 1987. Despite winning a solid teen following, it only lasted for one series. Set amongst a group of teens in small town Roseville (in reality the outdoors set on the edge of Wellington, originally used for Country GP), the show’s stylised look and sound had few Kiwi precedents — though its links to American perennial Happy Days are clear. Peppermint made liberal, and increasingly confident use of period music, with each episode named after a pop song of the day.
In the Cold War 60s, thrillers peopled with jetsetting spies with shifty figures standing behind pillars in sunnies were all the rage (Danger Man, The Man from Uncle). Kiwi entry The Alpha Plan revolves around a British security agent who finds himself downunder, on the run, investigating strange disappearances amongst a Mensa-like society made up the planet's brightest brains. The ambitious six-part mystery thriller was the first Kiwi TV drama designed to go beyond one episode; positive reaction to the show paved the way for NZBC’s in-house drama department.
This animated TV comedy series is a modern day fairytale following the adventures of five kids growing up in one of Auckland's grungier suburbs. With a fearless, un-PC wit and Simpsons-esque celebrity cameos, it managed to be primetime and family-friendly. The popular show was made by Firehorse Films, and developed from the brazen and poly-saturated comedy of theatre group Naked Samoans. Screening on TV3 for five series it won Best Comedy at the NZ Screen Awards three years running and a Qantas Award for Ant Sang's production design. "Morningside for life!"
Seven Days was designed by producer Des Monaghan to bridge the current affairs gap between the NZBC and TV One. As well as putting the heat on local politicians, it turned its attention to major international events. Major stories included Ian Fraser’s trip to Vietnam to cover the last days before the fall of Saigon and Ian Johnstone’s three-part look at apartheid-era South Africa ahead of the 1976 All Back tour. For its third and final year, the focus changed to observational documentaries and laid the groundwork for TVNZ’s in-house documentary unit.
This TVNZ entertainment special showcased Pacific Island contemporary and traditional fashion design, as well as music and dance. The live event and the TV show were both produced by Stan Wolfgramm and Julie Smith; Wolfgramm usually co-hosted along with someone from the TVNZ's stable of talent. The first Style Pasifika special screened in 2000 (the live show had been covered by TVNZ’s regular Pacific magazine series Tagata Pasifika prior to that). The live event continued until 2011.
Housing and property are New Zealand obsessions, as reflected on-screen in shows from The Elegant Shed to The Block. Hosted by Peter Elliott (Captain’s Log, Explorers), 2014 series The Art of the Architect highlights the role of the architect in each build. Eight one-hour long episodes follow architects as they respond to the challenges of sites, budgets, client demands, and the New Zealand environment. The designs range from private homes to community projects. Building delays led to the TVNZ series taking over four years to film.