Legendary professional wrestling TV show On the Mat ran from 1975 until 1983. Each half-hour show featured wrestling matches accompanied by commentary - promoter Steve Rickard described the technical in-the-ring aspects and Ernie Leonard, and later Barry Holland, added colour. The larger-than-life wrestlers were a mix of US imports and local characters: King Curtis, Samoan Joe, Aussie Larry O'Day, Rick Martel, and Sweet William and Brute Miller (soon famous in the US as The Bushwackers). The show was the catalyst for the boom in popularity of Rickard's pro-wrestling tour.
This TVNZ kidult drama is a saltwater Swallows and Amazons, where the plucky "urchins" stumble upon villainous plots (from missing treasure to wildlife smuggling) on their seaside adventures. Over three series, locations like Mahurangi Peninsula in the Hauraki Gulf — where the youngsters holidayed with their uncle — and the Marlborough Sounds allowed for much floatplane, launch and navy frigate chase action. The cast included an array of experienced talent and featured a young Rebecca Gibney (the Packed to Rafter’s star’s first major TV role) and Robert Rakete.
This posthumous series — produced by Ginette McDonald — collects segments from Billy T’s long running skit based comedy series. Some of his most cherished creations are here: the Te News presenter, Cuzzy in his black shorts, and the chief bemused by Captain Cook. Support comes from a seasoned cast including Peter Rowley, David Telford and Roy Billing (with cameos from Bob Jones and Barry Crump). Some of these skits are essentially elaborate setups for one line jokes but Billy T’s infectious warmth and 'bro' giggle inevitably carry the day.
Hosted by television all-rounder Neil Roberts, It’s Only Wednesday was a short-lived TVNZ chat show in the late 80s. It was characterised by Roberts’ energy as host, and performances by Grant Chilcott’s swing band Wentworth-Brewster & Co. The It's Only Wednesday format saw guests staying on after their interviews, leading to some eclectic company sharing the couch. The guests included former Prime Minister Robert Muldoon, and pop group When the Cat’s Away.
Shazam! rode the 1980s music video boom created by the advent of MTV and the renaissance in NZ music. Aimed at a younger audience than Radio with Pictures, it played in a late afternoon, weekday time slot, and featured artist interviews and live concerts as well as sponsoring a Battle of the Bands and a music video competition. Presenters were Phillip Schofield (later a presenter with the BBC and ITV), Phillipa Dann (who moved to London with husband and future head of MTV Europe Brent Hansen) and, finally, Michelle Bracey (who became a documentary director).
After School was a hosted links format that screened on weekday afternoons. Its initial host was Olly Ohlson, who was the first Māori presenter to anchor his own children's show. After School also broke ground in its use of te reo Māori on screen, as well as sign language. The show and Ohlson are remembered by a generation of New Zealanders for the catchphrase (with accompanying sign language) "Keep cool till after school". After School was later hosted by Jason Gunn and Annie Roache, and was where puppet Thingee achieved small screen fame.
This was New Zealand's first big historical drama after the controversy over the cost of The Governor almost a decade earlier. Over seven episodes — set between 1895 and 1914 — it followed the life of Dunedin barrister Alf Hanlon, focussing on six of his most important cases. British actor David Gwillim played Hanlon, while Australian Robyn Nevin was cast as convicted baby murderer Minnie Dean in the first and most celebrated episode. A major critical, ratings and awards success, it immediately recouped its budget when the Minnie Dean episode spurred a big international sale.
This series saw longtime Radio New Zealand National host Kim Hill foray from behind the microphone to in front of the cameras. The format was 25-min one-on-one interviews with politicians and newsmakers; it was designed to allow "the time to really discuss an issue ... in doing so we're able to get more context and more enlightenment." Interviewees ranged from ex-PM David Lange, Destiny Church supremo Brian Tamaki, comedian John Clarke, feminist author Germaine Greer, and Australian activist-writer John Pilger (with whom Hill had an infamous stoush).
In the early 80s Ready to Roll was NZ’s premier TV pop show. It emerged in the pre-music video boom mid-70s hosted by Roger Gascoigne (and later Stu Dennison) with bands and dancers live in the studio. By the early 80s it was a seamless video clip Top 20 countdown — introduced by the Commodores pumping ‘Machine Gun’ — and appointment Saturday evening viewing for music fans (and a regular in the week’s Top 10 rating shows). It then evolved into a brand, spawning a number of RTR offshoots (Mega-Mix, Sounz and New Releases), before disappearing in the mid-90s.
Presented by broadcasting legend Selwyn Toogood, this beloved agony-aunt (and uncle!) discussion show screened on weekday afternoons, from 1976 to 1985. Toogood and four female panelists answered viewers' letters, taking on issues big and small. "We tackle every problem, be it incest, love or tatting" as panelist Liz Grant put it. Regular panellists included artist Shona McFarlane, Heather Eggleton, Catherine Saunders, and writer Johnny Frisbie.