This 'docu-soap' put six 20-somethings into a rented house for three months — including a beauty contestant and a live-in cameraman. It was one of a series of 90s reality shows observing homelife which were soon to become a phenomenon, thanks to Big Brother. But without a lockdown or 24-7 surveillance, Flatmate's charms were more quaint, offering a homespun twist on MTV's pioneering The Real World (which debuted in 1992). The show was broadcast on now-defunct channel TV4, and made a minor celebrity of outspoken flattie Vanessa.
This 2012 comedy series follows city slicker lawyer Will (Toby Sharpe) who inherits guardianship of his half-sister Lily, a stately house, a greyhound (the notoriously named Lundydixonwatson) and its live-in trainer Marty. Will’s life goes to the dogs as he enters the low-rent world of greyhound racing. The Downlow Concept production won wide acclaim; On the Box’s Chris Philpott thought it New Zealand's best scripted TV comedy to date, as did the Herald's Chris Schulz. Hounds won Best Comedy at the 2012 NZ TV Awards. The six-part season screened at 10pm Fridays on TV3.
BMX, skateboards, spacies parlours and home computers — Steel Riders features all the hardware that an 80s-era kid could desire, with a motorcycling baddie to boot. Scripted by kidult master Ken Catran, the series follows a brother and sister who are targeted after inadvertently ending up with the spoils of a jewel heist. Pursued by mysterious (and irate) motorcyclist — The Spook — they enlist the help of a hacker and a BMX rider to help their father, who has been blamed for the theft. Ex-motorcycle racer Phil Thorogood provided The Spook’s stunts.
Duggan stars John Bach as brooding Detective Inspector Duggan, attempting to solve murders amid the tranquillity of the Marlborough Sounds. New Zealand's answer to Inspector Morse, the show was conceived by Marion McLeod, and scripted by Donna Malane and Ken Duncum. Eleven episodes of the Gibson Group series were made, following on from introductory tele-features Death in Paradise and Sins of the Father. The turquoise waters of The Sounds make for an evocative setting in this sharp, classy Kiwi whodunit. Rachel Davies writes here about Duggan's birth.
Homegrown Profiles was a spin-off from music channel C4's local music series Homegrown. Screened in 2005, the interview-based show featured episodes devoted to the Finn Brothers, Dave Dobbyn, Bic Runga, Anika Moa, Shihad and Che Fu. The hour-long programmes were based around an extended interview with each artist, intercut with music videos and other performance material— all held together with a well-scripted narration by researcher/ interviewer/ director Jane Yee. Yee writes about making the show here.
Face Value was a trilogy of monologues written by Fiona Samuel (Marching Girls, Home Movie), produced in 1995 for TV One’s Montana Sunday Theatre series. Featuring stellar performances by all three female leads, Carol Smith, Davina Whitehouse and Ginette McDonald (also the producer), the series is cleverly scripted and uses a simple, subtly changing domestic setting to emphasise the emotional states of the characters. The three women are very different, but as they tell their stories their experiences are parallelled.
C’mon brought the hits of the day into New Zealand living rooms for three years in a tightly scripted, black and white frenzy of special effects, pop art sets, go-go girls and choreographed musicians while host Pete Sinclair kept the pace cracking with breathless hipster charm. Most of the stars of the day appeared at one time or another but sadly only two episodes have survived. As the 60s finished C’mon fell victim to the fragmenting of the music world and the arrival of darker music that the show could no longer turn into family friendly viewing.
The Great Depression — the biggest social upheaval ever faced by New Zealand — is the subject of this very well-received three part NZBC drama series. Based on an award-winning script by Michael Noonan, The Longest Winter focuses on the experiences of politicians, the middle class family of a jewellery shop owner, a boot maker and an unemployed workers’ group. It examines the inter-related forces that combined in the early 30s to plunge New Zealand into some of its darkest days — and left the nation and many of its citizens scarred for decades after.
The feature film Topless Women Talk about Their Lives evolved out of this late night, low budget, TV3 micro-series about the lives, loves and travails of a group of 20-something Aucklanders. It was written and directed by former Front Lawn member Harry Sinclair with a cast including Danielle Cormack and Joel Tobeck. Each four minute episode was shot over a weekend with actors not sighting scripts until just before the camera rolled. Music from Flying Nun bands featured prominently; the women remained fully clothed despite the tantalising titular promise.
Our People Our Century was a documentary series from Ninox productions, that looked back over the past 100 years of New Zealand society as it turned over the millennium. Major events and changes over the century were shaped into six themed episodes: war, land, poverty and prosperity, families, state support and national identity, with apposite interviews providing personal and dramatic context. Our People Our Century won Best Factual Series at the 2000 NZ TV Awards, with Philip Temple winning a best documentary script award for the 'Families at War' episode.