This six-part All Blacks history showpiece series was commissioned by TVNZ in time for the lead-in to the 1999 Rugby World Cup. Broadcaster Keith Quinn and a six-person crew set off on "one of the most enjoyable and stimulating experiences" of Quinn's career. With Quinn as a genial guide (as both fan and expert), the episodes are framed around the All Blacks’ great rivalries with Britain, South Africa, and Australia; the Rugby World Cup; All Black captains and coaches, and a fascinating episode dedicated to the shift to professionalism after the 1995 World Cup.
These short profiles of then-current All Blacks were made for TV3 as part of a pre-Rugby World Cup 2007 series. Each involves an interview with the player in a formative context for them, eg. their hometown, club ground, old school or favourite surf beach. The interviewer is James Gemmell, and interviewees included tighthead prop Carl Hayman, flanker Jerry Collins, hooker Anton Oliver and fullback Mils Muliaina. The players are relaxed and surprisingly candid, as Oliver says when reflecting on the burden of captaincy: “I was sh*tting myself for a while.”
After her husband is jailed, matriarch Cheryl West (Robyn Malcolm) decides the time has come to set her family on the straight and narrow. But can the Wests change old habits? So begins the six-series long saga of the Westie dynasty. Hugely popular at home (beloved by public, critics and awards-nights alike), and imitated overseas, Outrageous Fortune has been a flag-bearer for TV3 and contemporary NZ telly drama; the series proved — in all its grow-your-own glory — that genre TV in NZ could be so much more than overseas stories pasted to a local setting.
Gloss was a popular Kiwi television drama series made by TVNZ that screened in the late 80s; it combined a wealthy family, the Redferns, with a lucrative high-fashion magazine business. Yuppies, shoulder-pads and méthode champenoise abound in this cult "glamour soap". New Zealanders wanted to see themselves as less bottom of the world and more "here we come and we are sailing" (as the infamous Cup campaign song warbled), and Gloss was just what the era demanded.