This ‘salvagepunk’ film is set in a desolate future where wind turbines power a vast electric fence that seemingly protects the survivors of environmental collapse, and keeps refugees out. A rare entry in the Kiwi sci-fi feature catalogue, Existence stars Loren Taylor (Eagle vs Shark) as Freya, a mother who dreams of the world beyond, and Matthew Sunderland (Out of the Blue) as a mysterious boundary rider. From a SWANZ award-winning script, the low budget film was shot on Wellington’s rugged south coast hills. It marked the feature debut of director Juliet Bergh.
After adapting Maurice Gee classic Under the Mountain for TV, writer Ken Catran wrote his own tale of teen extraterrestrial contact. While holidaying with relatives in the country astronomy-mad Gretchen discovers that a farm weathervane has mysterious powers. In this second episode of the girl-power sci-fi series, the weathervane does strange things to cars and appliances; and Gretchen and local scallywag Ronny discover a secret in a tapu swamp threatened by development. Actors Zac Wallace and Roy Billing feature, and future weatherman Jim Hickey cameos.
After the assassination of scientist David Typhon, a cast of interested parties head for his secret lab in New Zealand, pursuing the truth behind rumoured experiments on humans. Among them are rabid protestors, a European infiltrator (Michael Hurst) and the strangely-gifted Cato (Greg Wise). Typhon’s People marked a rare time that writer Margaret Mahy created a story aimed at adult audiences. Blessed with an impressive cast of Kiwis, Brits (Wise, Alfred Molina), and Australian Sophie Lee (The Castle), it sold as both a miniseries and as a 90 minute telemovie.
Matthew Sunderland (Out of the Blue) plays the sole survivor of an unexplained cataclysmic event. Roaming bloody and dazed amongst a polar landscape — pocked with beached container ships — he experiences a moment of sky-splitting Ballardian beauty. A rare sci-fi Kiwi short film, Vostok Station was directed by Dylan Pharazyn, and filmed on Mt Ruapehu, with convincingly-rendered effects added in post-production. The film was selected for Sundance (where it was nominated for a ‘New Frontier’ award), Valladolid (Spain) and onedotzero (London) film festivals.
Classic sci-fi series Under the Mountain follows redheaded twins with psychic powers — Rachel and Theo — as they battle the alien Wilberforces. This fourth episode sees the twins venture into the aliens' submarine lair for the first time. The lair's moody production design, the NZ Symphony Orchestra's score, and creepy transmogrifying special effects contributed to the slimy imprint the series left on a generation of Kiwi kids, haunted by the giant slugs slithering underneath Auckland's volcanoes. The award-winning series was adapted from the Maurice Gee novel.
Masterminded by director and fx whizz Derek Pearson, Event 16 is a brain-teaser spanning three eras. After neglecting his girlfriend (Jocelyn Christian) while struggling to perfect time travel, inventor Matt (Peter Rutherford) inadvertently puts her in danger when a colonial-era killer arrives in modern-day Wellington. Ambitiously plotted, with a plethora of double identities, Event 16 demonstrates how computers have opened new imaginative vistas for the low budget filmmaker — notably in the film's stylish vision of Victorian Wellington.
Director Peter Salmon's sci-fi short is set in a dystopian future where citizens spend most of their lives in virtual reality to escape the bleak Blade Runner-like offline world. Grace (Sara Wiseman, in a NZ Film Award-winning performance) is a lonely programmer looking for cyberspace love via Angelife: a fantasy-fulfillment site with "five billion connections worldwide". Disenchanted with her Adam (Rupert Cocks), her desire for real world connection, plus a chance meeting, push her into a dangerous underworld. Ray Woolf cameos as a winged Angelife agent.
A young boy is afflicted by apocalyptic visions in medieval Cumbria. Believing he is divinely inspired to save his village from the Black Death, he persuades a group of men to follow him into a tunnel. They dig deep into the earth and emerge ... in Auckland, New Zealand, 1987. Following portents, the time travelers must negotiate the terrors of a strange new world, (motorways, nuclear submarines) — while seeking to save their own. Nominated for the Palme d'Or at Cannes, it scooped the gongs at the 1988 AFI and 1989 NZ Film & TV Awards.
This animated short is set in "not so distant future" Aotearoa, where a plague has devastated livestock farming. The morbid nursery rhyme, narrated by Geraldine Brophy, tells of a scientist who creates a "different kind of meat from the resources still here". Matasila Freshwater's short was picked for the 'New Zealand’s Best' section of the 2016 NZ International Film Festival, by a team that included director Lee Tamahori (Once Were Warriors). It also screened at Spain's Sitges International Fantastic Film Festival, and won Best Animated Short at Sydney festival A Night of Horror.
In this children's sci-fi caper, an all-singing all-dancing gang of cronies led by 'evil Eva' (Nevan Rowe) holds Auckland to ransom for $5,000,000. As in Under the Mountain Auckland's volcanoes play a starring role, with Eva threatening to drop a nuclear bomb into the crater of Rangitoto. Who will save the city? A trio of intrepid kids and their DIY anti-gravity machine are on the case. Writers Ian Mune and Keith Aberdein give director Roger Donaldson (and a bevy of industry talent) plenty of goofy 70s fun to play with. Donaldson would shortly helm the acclaimed Smash Palace.