Wilbur Force was once a warrior in the world of NZ pro wrestling, but he has fallen on hard times and is back in his hometown, living on the dole and mattress rather than on the mat. This edition in the second season of Loading Docs short films sees director J Ollie Lucks chronicling his ex-university classmate (real name William McDougall) battling the demons that have kept him from the ring. But McDougall soon questions his director’s motivation. Wilbur Force was selected for the 2015 NZ International Film Festival. A feature film inspired by the wrestler was released in 2017.
In 2014 Ngāi Tūhoe completed construction on Te Uru Taumatua, a sustainable ‘living building’ built entirely out of materials sourced from Tūhoe land. Ever the Land captures the construction of the building, from its initial design stages through to its opening, and explores the history and values reflected in its design. Premiering at the 2015 New Zealand International Film Festival, Ever the Land is the debut feature as director for German-born editor Sarah Grohnert.
Actor-turned-director Gregory King's debut short offers an experimental twist on the "fly on the wall" film. Here a handheld camera becomes the fly and the connection between three groups of modern city dwellers: an Asian family and the Auckland they encounter via airport, taxi, and hotel; a whacked-out man and a boy toying with each other in a dilapidated squat; and a party of drag queens in a high rise apartment (heels, snow and sequins). Pop won an 'Outstanding Achievement in Video Production' award at the Melbourne International Film Festival.
Paul Callaghan (1947 - 2012) was an internationally celebrated scientist, and a passionate advocate for Aotearoa. He was a popular science communicator (including a radio show with Kim Hill), campaigned to make New Zealand “a place where talent wants to live”, and championed the idea of a predator-free New Zealand. Shirley Horrocks' documentary focuses on the field that Callaghan became a world expert in — magnetic resonance — and interviews Callaghan's family, colleagues, students and friends. The film was invited to play at the 2018 NZ International Film Festival.
Awatea, a young warrior, is enraged when his lover Te Po, a high-born chief's daughter, enters an arranged marriage. Retribution is swift and brutal. Set in the late 16th century and based on a Shakespeare sonnet ("my love is as a fever, longing still"), the storytelling of Te Po Uriuri is visceral, and suitably mythic in style. Ruru hoot, bloody patu gleam, and bodies and the oily black of the night are vividly shot by Waka Attewell. Directed by Toby Mills and filmed in te reo, it was selected for the Hamburg International Film Festival.
In 2001 New Zealander Paul Wolffram was in Papua New Guinea studying music for his PhD, when he began making films about the Lak people he was staying with. Fifteen years later he headed back for another film, utilising his connection with the Lak to undergo a gruelling initiation into the world of Buai magic. The experience involved dehydration, fasting and isolation over the course of five days, with the intent of enhancing creative powers. What Lies that Way is set to get its world premiere at the 2017 New Zealand International Film Festival.
This black and white short film explores a relationship triangle — between a Māori woman, her boorish Pākehā husband, and the woman’s protective father, arguing over rights to a farm. It was made as an Auckland University masters project by Li Geng Xin; he wanted to tell a story using visual language, and choses the expressive mode of the silent film to do so. Māori instruments (taonga puoro) and piano are used on the soundtrack. Mrs Mokemoke was selected for the 2015 NZ International Film Festival, in the Ngā Whanaunga Māori Pasifika Shorts programme.
Belief examines the 2007 death of young Wainuiomata mother Janet Moses during an attempted exorcism. It uses a blend of interviews and reenactments to explore a tragedy which director David Stubbs believes was caused by "fear and love mixing and turning into hysteria". In 2009 five members of Janet’s family were charged in relation to her death. Belief debuted in the 2015 NZ International Film Festival before screening on TV One. Herald critic Peter Calder called it "compelling and heartbreaking". David Stubbs was judged Best Documentary Director at the 2017 Moa Awards.
Described as "visually ravishing" (The Herald's Peter Calder), "strikingly beautiful"(Metro) and "pure social-commentary gold"(The Listener), The Ground We Won is a movie about men, rugby and the heartland. After discovering small town Reporoa en route to their earlier documentary How Far is Heaven, Christopher Pryor and Miriam Smith felt it the perfect place to chronicle the changing face of small town rugby. The film premiered in April 2015 during an autumn offshoot of the NZ International Film Festival; it was judged Best Documentary at the 2017 New Zealand Film Awards.
Disappear is a wordless tale of a man who wishes life wasn't always so busy. Described by its creator as being about the way "our dreams often take a backseat to the daily grind", the short film has a unique look thanks to its black and white stop motion animation. Kiwi Hendrikus De Vaan created the passion project in his garage over two and a half years, utilising complex camera moves that are far harder to pull off in stop motion than with live action. The result won a place in the 2014 NZ International Film Festival, and the approval of Aardman Animations legend Peter Lord.