Bros meets The Bachelor in this hit Māori Television reality show, which was billed as a "hunt for the ultimate Polynesian warrior". The contestants' muscles might look good, but do the personal trainers and dancers have their ancestors’ skills? This first episode tests the 12 entrants in spear throwing, waka portage and hakamoa (Hawaiian wrestling). The show swapped po-faced reality TV conventions for Polynesian humour: dropped lavalavas and tattooed torsos are slathered with innuendo by hosts Pani and Pani (Goretti Chadwick and Anapela Polataivao).
"I like uncovering people and getting them to fess up to **** and to be more real with themselves." So said Anika Moa to TV Guide of her late night Māori TV talk show. In the first episode, the forthright Moa has two Real Housewives of Auckland on the couch. Moa trades laughs with champagne fan Anne Batley Burton, while Gilda Kirkpatrick shows actor Madeleine Sami the high life, and Sami shows her the thug life. There’s giant knitting needles and innuendo; hip hop artist Kings performs hit 'Don’t Worry Bout It', and The Spinoff’s Alex Casey previews Sensing Murder.
Talking to your father about his sex life is possibly the most awkward conversation anyone could have. Director Chye-Ling Huang took on this eye-opening task while interviewing eight Asian men about sex, for this Loading Doc short documentary. Huang aims to challenge negative stereotypes of Asian males. Comedian/writer James Roque explains: "All the stereotypes that I encounter as an Asian guy are things like that I’m sexually or romantically inept, or that I’m like a nerd." Actor Yosan An, future star of Niki Caro's live action version of Mulan, is among those featured.
Television talent show franchises like Got Talent and X Factor won huge global popularity in the first two decades of the 21st Century. In 2016 the format got an Aotearoa twist with this Māori Television series: each contestant’s routine had to include kapa haka. Hosted by Kimo Houltham, this first episode sees Norris Studios (jazz ballet), Mana Wairua (contemporary), and Sovreign (hip hop) compete to see who has "haka flair". Manu Wairua’s World War II-inspired act and Sovreign’s rākau (Māori weaponry) skills saw the judges send them to the quarter finals.
In this first episode of the 2015 Māori Television series, three rangitahi answer a Facebook call for sailors who are up for reconnecting with nature and their culture, on a six week waka journey circumnavigating the North Island. The te ao Māori twist on the fish out of water reality show sees a trio of young Māori (including Boy discovery Rickylee Russell-Waipuka) set sail on Hoturoa Barclay-Kerr’s waka Haunui, where they’re separated from social media, face seasickness and rough seas, and learn the "ancient laws of voyaging". The winner gets the chance to join a voyage to Rarotonga.
Film director Roger Donaldson and motor racing legend Steve Millen both began making their mark in New Zealand, before making the move to California. The first Coming Home episode sees them at work in the USA, and visiting old haunts in Aotearoa. Donaldson shoots the effects-heavy Dante's Peak and prepares $100 million thriller Thirteen Days, while Millen hits the race track, in-between running his custom car parts company. Later he returns to the farm near Auckland, where his need for speed began on the family tractor. Donaldson heads to Auckland and Queenstown.
Over a two year stint from 2003, the devious Dominic 'Dominator' Thompson (Shane Cortese) did plenty to earn his place in the pantheon of Kiwi soap opera super villains. When his affair with a 16-year-old was revealed, he resorted to drugging his wife, two murders, framing others, and feigning insanity to cover it up. In December 2004, on the cusp of finally being sprung, the show’s evil bad boy lured his rival Chris Warner (Michael Galvin) to a remote barn and prepared to incinerate them both. But as the spectacular second clip reveals, it can be unwise to play with fire ...
Rangi Hetet was only 17 years old when he began working as an apprentice, carving the Tāpeka meeting house. Six decades later, his life and work are examined in this documentary, as his children prepare to exhibit his work at the Dowse Art Museum alongside that of their mother, the late Erenora Puketapu-Hetet. The feature-length documentary also explores the art of whakairo (carving), and its cultural significance within Māori communities. Mo Te Iwi director Robin Greenberg's earlier film Tu Tangata: Weaving for the People (2000) was about Erenora and her Māori weaving.
Australian producer Antony Ginnane brought this $6 million romp to New Zealand, after Aussie union Actors Equity objected to the four lead roles going to foreigners. Deer hunting heroes Donald Pleasance (Halloween) and Ken Wahl (six years before becoming TV's Wise Guy) race around in helicopters and jet boats, after discovering a half-sunken WWll plane. This opening excerpt indicates the film's mixture of action, comedy and Southern scenery. Zephyr helped establish Aotearoa's reputation as a place to film; Ginnane and Kiwi John Barnett produced further projects together.
September 1994 marked a turning point in Peter Jackson's career. With the debut of his film Heavenly Creatures, many critics began to see him in a new light. This One Network News piece interviews Jackson at Wellington Airport, shortly after winning a Silver Lion at the Venice Film Festival for Heavenly Creatures. Jackson says he plans to keep making movies in New Zealand, and pays tribute to his late producer Jim Booth. Five months later, Jackson was nominated for his first Academy Award. Three months after that, he began Hollywood-funded movie The Frighteners in NZ.