Bros meets The Bachelor in this Māori Television reality show, billed as a "hunt for the ultimate Polynesian warrior". The contestants' muscles might look good, but do the personal trainers and dancers have their ancestors’ skills? This first episode tests the 12 usos in spear throwing, waka portage and hakamoa (Hawaiian wrestling). The show swapped po-faced reality TV conventions for Polynesian humour – dropped lavalavas and tattooed torsos are slathered with innuendo by hosts Pani and Pani (Goretti Chadwick and Anapela Polataivao) – and became a Māori TV hit.
This Kiwi neighbours at war ‘dramedy’ pitted the Rush family — newly arrived in Ponsonby —against the Shorts, who are long-time renters next door. Arthur Short (Patrick Wilson) is a Kiwi battler solo Dad, with two teenage daughters; Dimity Rush (Danielle Cormack) the right wing HR manager whose partner is an anaesthetist, with two teen sons. In this first episode, Dimity aspires to climb the property ladder by scheming to get the Shorts’ house as an investment doer-upper. The satire of gentrification screened on TV One on Friday nights. The cast includes Rose McIvor (iZombie).
Grieving the death of his father, 19-year-old Haami (Michael Koloi from detective series Harry) starts hanging around with a local underground boxing promoter. In order to pay off Haami’s drug debt and keep him safe, his uncle Moko (played by ta moko artist Gordon Toi Hatfield), an ex-street fighter, must make one last sacrifice and step up to fight for his family. Written and directed by Joseph Lee, this gritty short film also features a cameo acting performance by Scotty Morrison, better known as long-time newsreader for Te Karere.
Music video director Sam Peacocke's confronting first short film reimagines the events that took place around the robbery of a Manurewa liquor store in 2008, in which owner Navtej Singh was tragically murdered. The film takes a kaleidoscopic perspective on colliding South Auckland lives, notably in an — almost unbearably — tense hold-up scene. Largely shot with non-actors, the production was self-funded. The result was selected for the Melbourne and Berlin Film Festivals; at Berlin it won the Crystal Bear for best short in the Generation 14plus youth section.