This two hander is one of the heavier editions of the Loose Enz series. After midnight, a woman (Heather Lindsay) rifles through her prescription drugs then smashes a glass against an Egon Schiele print hanging on her wall (with Laurie Anderson-inspired blips scoring the scene). Shortly afterwards a married colleague (Peter Vere-Jones) turns up, whom she's forgotten she's phoned. The titular samaritan finds himself drawn into the midlife crisis of a woman under the influence: from Yevtushenko to a bitter waltz to Split Enz's 'I Got You'.
This animated series stars a shed of friendly machines who live on Murray and Heather’s farm near Kumara Cove. In this episode Beaut the Ute goes through a midlife crisis when he meets a younger ute — Flash — in town, and worries his time might be over. But the machines soon learn that a slick new number plate isn't everything. The colour palette of this animated series makes it clear that the machines are the characters that matter. The show is narrated by broadcaster Jim Mora (Mucking In), who created it with Brent Chambers.
It's Wellington in the 1970s and Bob (Jeremy Stephens) is having a midlife crisis. Square-peg Graham (Bill Johnson, who later played Mr Wilberforce in Under the Mountain) tries to convince Bob to quit his bohemian lifestyle (and his lover/muse Carol) and return to his wife Jean. But is Graham really acting in his mate's best interests? Featuring a young Sam Neill as the epitome of handsome, unfettered youth (flared jeans, bushy beard) this early, well-received TV drama was one of several produced by the NZ Broadcasting Corporation to tackle 'difficult' contemporary issues.