This upbeat National Film Unit award-winner is about late New Zealand artist, conservationist, and rail enthusiast Barry Brickell. Filmed at his first studio and home in the Coromandel, it follows the progress of his large-scale works from start to finish. Accompanied by a jazzy soundtrack, Brickell works his clay alone in the sun. Amidst the five-finger and harakeke of the Coromandel bush, the making of New Zealand art has never looked more picturesque. Brickell died on 23 January 2016, at the age of 80. The short documentary was made as part of the Pictorial Parade series.
Kauri stand amongst the giants of the tree world, able to grow more than 50m tall and girths of up to 16 metres, and live over 2000 years. This NFU film looks at the ancient conifer and its relationship with people. A thoughtful narrative traces the kauri's utility, and contemporary efforts to preserve remaining trees — the tree’s timber and gum fuelled colonial growth, but milling devastated the great northern forests. Archive footage evokes the pioneer days: kauri dams, woodsmen dwarfed by felled trunks, and Dalmatian gum hunters scaling sky-scraping trunks.
Colin Broadley was part of the Kiwi soundtrack during a decade of dramatic change. A DJ on NZ's first pirate radio station, he was also hunky star of Runaway, the first local movie in 12 years. In 1986 'whatever happened to' style series Then Again found him in the Coromandel, where he was tending bees and living back to the basics. Broadley talks exciting times on the Radio Hauraki boat, and inside a cell; the perils of kissing Bond girl Nadja Regin in the Opononi mud; a near-fatal crash; visits to China, and his belief that modern day economics and land use are unsustainable.
Smith (Sam Neill, in his breakthrough screen role) is devastated when his wife runs off with his best friend Bullen (Ian Mune). Smith escapes to the Coromandel. Meanwhile, the government enlists an anti-terrorist force to crack down on its opponents. Bullen, now a guerrilla, asks Smith to join the revolution. Directed by Roger Donaldson, this adaptation of CK Stead's novel Smith's Dream heralded a new wave of Kiwi cinema; it was one of the only local films of the 1970s to win a big local audience. This excerpt includes a much talked about scene: a baton charge by government forces.
This wee gem from the 60s Sunday night magazine show records a pivotal New Zealand conservation moment. Wildlife Service ranger Don Merton experiments with rescue techniques to save the endangered North Island saddleback (tieke), a wattlebird surviving on Hen Island. Aided by electronics expert John Kendrick (of National Radio bird call fame) he uses calls to lure the spry birds into mist nets before moving the precious cargo to cat-free Cuvier Island. The world-leading skills developed here were to be crucial in saving the black robin and kakapo from extinction.
For this 2001 series Peter Elliott retraced Captain James Cook’s first voyage around Aotearoa. The second episode heads from Mercury Bay to Cape Reinga. Elliott diverts from Cook’s wake to Waitemata Harbour to investigate New Zealand boatbuilding history, and sail a Team New Zealand America’s Cup yacht with Tom Schnackenberg. Elliott then boards HMNZS Te Kaha to "hoon" up the coast to rejoin The Endeavour's path. In the Bay of Islands he meets Waitangi waka paddlers, crews on tall ship R Tucker Thompson, and dives to the Rainbow Warrior wreck off the Cavalli Islands.
When a young Swedish couple went missing on a camping holiday in New Zealand in 1989, the investigation into their disappearance attracted intense media interest. Months later David Wayne Tamihere was arrested and charged with their murders. The subsequent guilty verdict cast Tamihere's family into a nightmare. The Tamihere family were abused, ridiculed and scorned relentlessly by an outraged public, and an insatiable media. Ten years on, Pooley's documentary tells their story. The result won the 2000 Qantas Media Award for Best Documentary.
The iconic all-things-rural show is the longest running programme on New Zealand television. With its typical patient observational style (that allows stories of people and the land to gently unfold) it’s an unlikely broadcasting star, but New Zealanders continue, after 50 plus years, to tune in. Amongst the bucolic tales of farming, fishing and forestry, there are high country musters, floods, organic brewing, falconry, tobacco farming, as well as a fencing wire-playing farmer-musician, a radio-controlled dog, and Fred Dagg and the Trevs.
This NFU portrait of 19th Century artist Gottfried Lindauer traces his wide-ranging life, from his Bohemian origins and arrival in New Zealand in 1873, aged 35, to his death in Woodville in 1926. Lindauer’s portraits, especially of Māori in formal dress, became an iconic record of colonial era New Zealand people. A market developed for Lindauer’s work, established by his patron Henry Partridge. Lindauer’s commissions (held at Auckland Art Gallery) are respectfully filmed here; and his process is detailed, including his most famous image, Ana Rupene and Child.
Greenies meet The Castle in this 2014 film from first-time feature director Anton Steel. The Z-Nail Gang tells the story of locals joining to fight plans to dig an opencast goldmine in nearby bush — using nails in car tyres, Santa suits and a rap song, instead of monkey wrenches. The making of this down-home take on eco-activism was also a grassroots effort, with the film made by harnessing community support in the Bay of Plenty town of Te Puke. At the 2014 NZ Film Awards it was nominated for Best Self-Funded Film, and Best Supporting Actress (Vanessa Rare).