Released in April 1977, 'It Doesn't Matter Anymore' became Mark Williams' second number one single. The singer funks it up in bell-bottoms and afro, while circled by cameras on the set of long-running music show Ready to Roll. Abandoning the violins of the Buddy Holly/Paul Anka original in favour of percussion and horns, producer Alan Galbraith's arrangement demonstrates that breakup songs can be catchy indeed. By the end of 1977, Williams and Galbraith had decamped for Australia. Williams would ultimately take over vocals for Dragon.
TV1 celebrated Christmas by throwing most of its big names into this 1977 comedy/variety show. Ringleaders Roger Gascoigne and Nice One Stu's Stu Dennison are joined by a cavalcade of newsreaders hiding under Santa beards. Among the loopy 70s oddities on show: Brian Edwards in school uniform, channelling The Goons; Selwyn Toogood doing an It's in the Bag sketch that would nowadays likely be deemed too un-PC to make it to air; plus racehorse expert Glyn Tucker talking reindeer races. Madcap band Mother Goose also appear.
Framed by the distinctive burr of influential Scottish thinker RD Laing, this 1977 doco questions how the Western medical system handles childbirth: in Laing's view, "one of the disaster areas of our culture." Supported by arresting hospital footage and impassioned interviews with mothers, the film argues that women are often deliberately sidelined during the process of birth, and babies' needs ignored. Screenings in the UK and US saw it contributing to a debate about newborn care; one that remains ongoing. Birth won a Feltex award for best documentary.
This July 1977 Seven Days report tunes in to Radio 1XX Whakatane, NZ’s then-smallest private radio station. Coastline Radio has been giving the Eastern Bay of Plenty its own MOR voice for six years. Seven Days reveals tensions between DJs in cut-throat jousting for spots. On-trial Breakfast DJ John Adeane describes his job as “personality projection” as he chugs on a Camel and rouses “the country giant”. He warns of the danger of being “an attractive proposition to the girls in town”, and describes behind the scenes activities during the religious programming.
This performance by Hello Sailor was recorded by TVNZ in Christchurch, at the Civic Theatre in Manchester Street. Singer Graham Brazier (who passed away in September 2015) is said to have written the classic song about love, destruction and hurt in 15 minutes. It was a last minute addition to the band’s debut album (and their second Top 20 single of 1977, reaching number 13). 'Blue Lady' was later considered as a possible theme song for an Australian police show. It would have been a strange choice: this Blue Lady came from the wrong side of the tracks. It was junkie slang for a hypodermic syringe.
This 1977 film looks at the meeting of the 'two rivers' (Māori and Pākehā, oral and written) of the Aotearoa literary tradition. Rowley Habib is a guide as hui take place and readings of contemporary Māori poetry are set to images of Māori life, from Parihaka and land march photos to Bastion Point, urban scenes and a Black Power hangi. Poets include Mana Cracknell, Peter Croucher, Robin Kora, (a young) Keri Hulme, Brian King, Apirana Taylor, Katarina Mataira, Don Selwyn, Henare Dewes, Rangi Faith, Dinah Rawiri, Haare Williams, Hone Tuwhare, and Arapera Blank.
David Bellamy told Kiwis their old man’s beard had to go, Spike Milligan advised “Just put up a windmill Daddy!” … in 1977 the international celebrity counselling New Zealanders was Puerto Rican-born musician José Feliciano, telling Godzoners to “go easy” on power consumption. With the second oil shock looming, this was one of a series of 70s public service announcements produced to encourage energy conservation. The blind virtuoso — famous for songs like ‘Feliz Navidad’ and his cover of ‘Light My Fire’ — was filmed on 3 October, a few days before his Auckland show.
Born from duo Andrew Hagen and Morton Wilson, Schtung expanded swiftly to six members — three taking turns on vocals — and managed to write their first prog-rock song cycle in a fortnight. They performed in theatres, pubs, and at Nambassa, sometimes alongside dance groups. Inspired by Supertramp, Blerta and early Genesis, they displayed both instrumental prowess and a sense of humour. Their record deal was signed underwater. A couple of years after releasing 1977 album Schtung, the group broke up following line-up changes.
Spats are better known as the band they soon became: The Crocodiles. Formed in mid 1977, originally as Les Hots, the eclectic act performed everything from jazz to doo-wop, as well as sellout shows at the Gluepot with Limbs Dance Company. In 1979 visiting US producer Kim Fowley (The Runaways) was won over by the band, especially the energetic 'New Wave Goodbye'. He encouraged singer Fane Flaws and company to change their name, and concentrate on more original material.
Off the Edge was director Michael Firth's ode to the exhilaration of adventuring on the spine of New Zealand's Southern Alps. Something of a snowy Endless Summer, the film follows an American and a Canadian as they ski, hang glide, climb and delve beneath glaciers, in the Aoraki-Mt Cook area. Thrilling footage amidst spectacular scenery was shot over two seasons, where extreme weather and geography meant few chances for second takes. The film was nominated for an Oscar for Best Documentary in 1977. The Los Angeles Times called it "beautiful and awesome".