Bernard Kearns presents a survey of NZ life in the 30s in this episode of the National Film Unit series The Years Back (“people and events that shaped the New Zealand of today”). The documentary includes a wealth of footage taken from NFU stock: the aftermath of the 1931 Napier earthquake, the Depression (as Kearns bluntly states, “there was a lot of misery in the 30s”), and runner Jack Lovelock’s gold medal triumph at the Berlin Olympics. There’s also editorial flair as King George VI’s lavish coronation ceremony is juxtaposed with the A&P show back home.
This post-war film was made to showcase New Zealand to UK audiences. Directed by Michael Forlong, the NFU film is a booster’s catalogue of contemporary NZ life. The message is that NZ is a modern pastoral paradise: open for business but welfare aware. Nature is conquered via egalitarian effort; air and sea links overcome the tyranny of distance; and science informs primary industry. Māori are depicted assimilating into the Pākehā world. Sport, suburbia and scenic wonder are touted, and an NZSO performance shows that the soil can grow culture as well as clover.
This 1985 New Zealand tourism promo showcases Aotearoa society and industry. As the title suggests, the NFU-made film offers an impressionistic take on the subject. Bookended by a dawn and dusk chorus, the narration-free survey cuts between primary products (milk, logs, wool etc) and their manufacturing processes, and then shows people at work and play — from futures traders to pounamu carvers, contemporary dancers to cricketers. Date stamps of the era include a mass aerobics class, hydroslide action, and saxophone and guitar solos on the soundtrack.
This promotional travelogue, made for the Christchurch City Council, shows off the city and its environs. Filmed at a time when New Zealand’s post-war economy was booming as it continued its role as a farmyard for the “Old Country”, it depicts Christchurch as a prosperous city, confident in its green and pleasant self-image as a “better Britain” (as James Belich coined NZ’s relationship to England), and architecturally dominated by its cathedrals, churches and schools. Many of these buildings were severely damaged or destroyed in the earthquakes of 2010 and 2011.
This New Zealand Now edition looks at working dogs. A brief look at show dogs makes way for a Timaru sheep farmer conducting six border collies to round up a mob of ewes. Elsewhere pig dogs bail up a wild boar; rabbit hunters use spaniels to flush their prey; retrievers aid pheasant and duck shooters; and off goes the hare for the greyhound to chase. The attitude to imported species (seen as game rather than as environmental pests) dates the film to an acclimatisation society era, and the close relationship between man and dog provides enduring fascination.
This booster's gem was produced by the NFU to mark Canterbury's centennial. The original Canterbury crusaders' dream of a model England colony is shown in settler life re-enactments. The importance of meat and wheat to the region's prosperity is extolled and a progressive narrative — "in one brief century they've turned the wilderness into fertile farms and built their red-roofed homes" — underpins contemporary scenes (cricket, church) and much bucolic (plains, alps) scenery. Trivia: Peter Jackson used an excerpt from the film to open Heavenly Creatures.
Animated plasticine. Talking chickens. Dancing Cossacks. Plus old favourites bro'Town, Hairy Maclary and Footrot Flats. From Len Lye to Gollum, feast on the talents of Kiwi animators. In his backgrounder to the Animation Collection, NZ On Screen's Ian Pryor provides handy pathways through the frogs, dogs and stop motion shenanigans.
Peter Jackson has gone from shy fanboy to master of his craft; from Pukerua Bay to Wellywood. With six journeys into Middle-earth now behind him, he has few peers in the realm of large scale filmmaking. Led by early 'behind the scenes' docos this collection pays tribute to PJ's journey, from re-making King Kong in his backyard to err ... re-making King Kong in his backyard.
Cameras can be unforgiving — especially when they capture presenters fluffing their lines. In this selection of bloopers from across the decades, we see Hudson and Halls having a minor spat while trying to introduce their show, and some out of control props. Bugs Bunny Show host Fiona Anderson twice knocks over a telescope, while It's in the Bag presenter Nick Tansley looks on as Suzy Clarkson (née Aiken) bends over too far. Mike Rehu reveals the wrong day of the week on Play School, Mai Time's Mike Haru pulls a face, and a car is hit by falling glitter and something heavier.
"The land where the road is long and winding and full of great folk with yarns to tell." In this 2011 series, TV reporter Hadyn Jones (host of the Good Sorts segment on One News) hooks up a caravan to his old Ford Falcon and travels the length of Aotearoa, from Dargaville to Cromwell. He meets ordinary Kiwi folks, and visits local schools, A&P shows and burnout competitions. His interviewees include plenty of mechanics (he is in an old Ford!). Seven half-hour episodes were produced by Jane Andrews and Jam TV for TVNZ. Critic Karl du Fresne called the series a "modest little gem".