Spike Milligan - Nuclear-free public service announcements

Commercial, 1976 (Excerpts)

In these never-aired commercials, comic genius Spike Milligan urges New Zealanders to sign the Campaign Half Million petition against the introduction of nuclear power. Instead he advocates wind power while standing in breezy Wellington. The ads were never shown, though they did end up in a TV news story on the decision to ban them, thus gaining prime time exposure. The petition, organised for the Campaign for a Non-Nuclear Future, eventually gained 333,087 signatures, representing 10% of New Zealand's population at the time.

The Maintenance of Silence

Short Film, 1985 (Full Length)

Just after midnight on November 18, 1982, Neil Roberts, a 22-year old anarchist, exploded a bag of gelignite outside the Whanganui police computer centre, killing himself instantly. In this short film, director William Keddell uses a fictional character — Eric, a young man awoken in bed at the exact moment of detonation — to take a psychological road-trip exploring the events leading up to what is arguably NZ’s most famous case of homegrown political terrorism. Real-life friends and associates of Roberts make cameo appearances in supporting roles.

Contact - Writing on the Wall

Television, 1981 (Full Length Episode)

Poet, activist and soon-to-be Mayor of Waitemata, Tim Shadbolt explores the often-maligned art of graffiti in this 1981 special for documentary slot Contact. Shadbolt searches for wit and inspiraton from school desks and court holding cells, to the bathrooms of trendy restaurants. Some of these scribbled sentiments — like “Rob Muldoon before he robs you” — have passed into legend. The best material however, comes from a group of high school girls, encouraged by their right-on English teacher during a class of well-supervised rebellion: “castrate rapists — have a ball!”

Pacific Ikon

Television, 1998 (Excerpts)

Director Stewart Main talked to artist Pat Hanly about life as painter and activist for 1998 documentary Pacific Ikon, from which this excerpt is taken. Interviewed at his Mt Eden home, Hanly discusses his painting career and inspirations — both political and personal. Also interviewed are his wife Gil, who supported him personally and financially, and children Ben, Tamsin and Amber. Like his work, Hanly is ebullient, energetic and articulate, At one point he says: "We are awaiting death with interested anticipation. Some of my best friends are dead." Hanley died in September 2004.

Operation 8

Film, 2011 (Trailer)

On October 15 2007, citing evidence of guerilla camps involving firearms training, police raided 60 houses across NZ, many of them in Ruatoki, near Whakatane. In production for almost as many years as the ensuing legal proceedings, this provocative documentary proposes that the so-called “anti-terrorism” raids were bungled, racist and needlessly terrifying to children. The film’s subtitle ‘Deep in the Forest’ is inspired by ex Red Squad second-in-command Ross Meurant, who argues that as police move into specialist units they grow increasingly paranoid.

Futile Attraction

Film, 2005 (Full Length and Extras)

Satire Futile Attraction follows a dysfunctional reality television crew as they make a show about dating. The unfortunate 'couple' being manipulated for the cameras are a phone-obsessed nerd, and a woman consumed with being ecologically sound. In real life, director Mark Prebble became the first New Zealander to get funding for his movie via an online crowdfunding campaign (as detailed in the making of video). Alongside lead actors Danielle Mason (Black Sheep) and Peter Rutherford (Event 16), the late Alistair Browning shines as a smarmy television host. 

Two Rivers Meet / Te Tutakinga O Nga Awa E Rua

Short Film, 1977 (Full Length)

This 1977 film looks at the meeting of the 'two rivers' (Māori and Pākehā, oral and written) of the Aotearoa literary tradition. Rowley Habib is a guide as hui take place and readings of contemporary Māori poetry are set to images of Māori life, from Parihaka and land march photos to Bastion Point, urban scenes and a Black Power hangi. Poets include Mana Cracknell, Peter Croucher, Robin Kora, (a young) Keri Hulme, Brian King, Apirana Taylor, Katarina Mataira, Don Selwyn, Henare Dewes, Rangi Faith, Dinah Rawiri, Haare Williams, Hone Tuwhare, and Arapera Blank.

The Green Chain

Television, 2011 (Full Length)

This homegrown Erin Brockovich story follows former Whakatane sawmill worker Joe Harawira and his long battle to reveal the impact that workplace toxins have had on his community. In the 80s after being afflicted by health issues, Harawira noticed co-workers getting sick. In 1988 he helped found SWAP (Sawmill Workers Against Poisons) and began investigating the effects of exposure to dioxins, a by-product of timber treatment. The Joe versus the mills crusade screened on Māori Television, and won Best Popular Documentary at the 2012 NZ Television Awards.

The Friday Conference - Abraham Ordia public forum

Television, 1976 (Full Length)

On June 4 1976, Gordon Dryden hosted Abraham Ordia — president of the African Supreme Council of Sport — for a public forum on New Zealand’s sporting ties with apartheid South Africa, which would result in an Olympic boycott by African countries the following month. The debate erupted into what the Auckland Star called  “a diabolic confrontation between Māori and Pākeha”, with Dryden frequently pleading for civility. Weightlifter Precious McKenzie, MP Richard Prebble, activist Syd Jackson and Donna Awatere-Huata are among those in the audience, making their feelings known.

Keskidee Aroha

Film, 1980 (Full Length)

This film documents the influential 1979 New Zealand tour of a black theatre group from London arts centre Keskidee. They visit marae, perform at The Gluepot, prisons and youth centres; meet gang members, Ratana ministers and a young Tame Iti; and korero about roots and fights for rights. The made-for-TV film was directed by Merata Mita and Martyn Sanderson. On the tour Sanderson met his future wife, Kenyan actor Wanjiku Kairie. Tour instigator Denis O’Reilly argued in 2009 that the doco is “full of insights at a time of huge social and cultural shifts in Aotearoa.”