Leon Narbey is one of New Zealand’s most prolific and lauded cinematographers. His talents have contributed to roughly 20 features, including Whale Rider, Desperate Remedies, The Price of Milk and No.2. Narbey's work as a director includes movies The Footstep Man and Illustrious Energy, an acclaimed drama about Chinese goldminers.
Not to be confused with the newsreader of the same name, Richard S Long has had a prolific career as a cameraman and director. Since starting out in 1977, he’s shot news, run his own production company, and worked abroad, directing commercials and music videos in Asia and the US. In 2015 Long directed his debut feature Not For Children.
Paul Oremland began directing a run of documentaries — and two feature films — during almost three decades based in London. Since returning home to New Zealand in 2009, he has continued to work as an editor and director, including on his 2017 autobiographical documentary 100 Men.
The films of Gregor Nicholas have won international attention and a host of awards. His work as a director crosses the gamut in style and subject: from acclaimed short film Avondale Dogs to All Black commercials for Adidas, from interracial love story feature Broken English, to experimental music-based short films for From Scratch.
Christopher Plummer went from playing punk music to cutting film, first at TVNZ editing documentaries, and then on a slate of award-winning films. They include the shorts Sure to Rise (Niki Caro), and Possum (Brad McGann); and feature films Channelling Baby, In My Father's Den, Black Sheep, No.2, Vincent Ward doco Rain of the Children, and Taika Waititi's breakout hit Boy.
Set in the East Coast town of Whāngārā, Whale Rider tells the tale of a young Māori girl, Pai (Keisha Castle-Hughes), who challenges tradition and embraces the past in order to find the strength to lead her people forward. Directed and written by Niki Caro, the film is based on Witi Ihimaera's novel The Whale Rider. Coupling a specific sense of place and culture with a universal coming-of-age story, Whale Rider became one of the most successful and acclaimed New Zealand films released internationally. It also won audience choice awards at the Sundance and Toronto Film Festivals.
A longtime collaborator with director Florian Habicht, Peter O'Donoghue is also a director in his own right — from shorts to hour-long, life in China documentary Happy Everyday. In 2010 the Australian-based Kiwi headed to New York to edit and co-write Habicht's acclaimed Love Story, whose storyline is partly shaped by feedback from New Yorkers. The pair then collaborated for a film on Brit band Pulp and the band's hometown.
An iconoclast with a bent for experimentation, director Paul Maunder brought the mixed flavours of social realism and the arthouse to New Zealand screens in the 1960s and 70s, before shifting stages and leaving the government's National Film Unit, to concentrate on theatre. His second feature Sons for the Return Home (1979) as the first film to dramatise the experience of Pacific Islanders living in contemporary New Zealand.
Michael Horton's CV reads like a potted history of the Kiwi film renaissance. His editing work includes classic films Goodbye Pork Pie, Smash Palace, Utu and Once Were Warriors. In 2003 Horton's talents won international recognition, when he was Oscar-nominated for his editing on Tolkien epic The Two Towers.
Costa Botes has had a long independent career as a director of drama (Stalin’s Sickle, Saving Grace ), a run of feature-length documentaries (Angie, Candyman, The Last Dogs of Winter) and at least one film that is very difficult to classify (Forgotten Silver). Botes also spent many years as a film critic, with a reputation for an acerbic wit.