An iconoclast with a bent for experimentation, director Paul Maunder brought the mixed flavours of social realism and the arthouse to New Zealand screens in the 1960s and 70s, before shifting stages and leaving the government's National Film Unit, to concentrate on theatre. His second feature Sons for the Return Home (1979) as the first film to dramatise the experience of Pacific Islanders living in contemporary New Zealand.
John Reid made his feature debut with an acclaimed version of hit Roger Hall stage play Middle Age Spread. He went on to direct three more features ranging from raw comedy to moody arthouse pieces — plus documentaries, TV dramas and commercials. Reid has also been head tutor at the New Zealand Film and Television School in Wellington, and written the definitive book on the history of Pacific Films.
Jane Wrightson is Chief Executive of Crown agency NZ On Air, which funds Kiwi television, digital media, radio and music. Prior to taking on the job in 2007, she spent a decade at Television New Zealand, was New Zealand's first woman Chief Film Censor, and headed both the Broadcasting Standards Authority and screen lobbying group SPADA.
David Blyth cemented his place in the Kiwi filmmaking renaissance with two films that left social realism far behind: 1978 experimental feature Angel Mine, and 1984's Death Warmed Up, New Zealand's first homegrown horror movie. Since then Blyth's work has included family friendly vampire film Moonrise, a number of documentaries on war, and varied works exploring sexuality.
John Maynard is a highly successful producer of more than 30 years experience, both here and across the Tasman. He is recognised for his support and encouragement of emerging talent, often with risky and original films. Notably, he helped launch the feature filmmaking careers of directors Vincent Ward and Jane Campion.
One of New Zealand's best known screen actors, Sam Neill possesses a blend of everyman ordinariness, charm and good looks that have made him an international leading man. His resume of television and 70+ feature films includes leading roles in landmark New Zealand movies, from a man alone on the run in breakout feature Sleeping Dogs to the repressed settler in The Piano.
Alison Maclean has brought an original vision to screen, whether it be in personal, expressionistic films: the Kiwi gothic duo of Kitchen Sink and her first feature, Crush, acclaimed junkie redemption song Jesus' Son, and her adaptation of Eleanor Catton novel The Rehearsal — or in high profile television series like Sex in the City and The Tudors.