Framed around a visit to New Zealand by Irish-born entertainer Danny La Rue, this all-singing all-dancing spectacular was recorded over three days in March 1980. The “fella in a frock” was famed for his drag acts and double entendres. Comedians Jon Gadsby and David McPhail provide local support as Marlene Dietrich visits a farm, Mae West visits the All Blacks changing room, and Margaret Thatcher meets Robert Muldoon (McPhail). Filmed at Avalon Studios, the revue was a co-production with London Weekend Television, made during the golden era of NZ TV variety shows.
This documentary sees Dean Spanley director Toa Fraser and producer Matthew Metcalfe swap dialogue for dance. Based on The Royal NZ Ballet's acclaimed 2012 production of Giselle, the movie features American Ballet Theatre star Gillian Murphy as the dance-mad villager, wooed by a prince in disguise. Inspired by concert film The Last Waltz, a Leon Narbey-led camera team filmed the performance, with scenes of the lead dancers in Shanghai and New York counterpointing the onstage action. Following its Kiwi festival debut, Giselle screened at the 2013 Toronto Film Festival.
Arts magazine series For Arts Sake screened on TV ONE for two hours on Sunday mornings for 22 weeks in 1996. This segment on dancer/choreographer Mary Jane O'Reilly marks the launch of her new company Auckland Ballet. The founder of the celebrated Limbs Dance Company talks about still being involved in dance in her mid-40s, the formation of her new company, the similarities and differences between ballet and contemporary dance, and her move into making dance films. The item also features excerpts from some of O'Reilly's dance works.
In March and April 2001 slippers met gumboots when The Royal New Zealand Ballet went on a five-week long heartland tour. The ballerinas performed in community theatres and halls in places like Twizel, Putaruru, Taihape, and Alexandra. This Gibson Group TV One documentary chronicles the challenges – injuries, fatigue, motel life, provincial performance diets (junk food, baking), dodgy stages and wiring, romance on the road – and receptive locals. The programme includes work from local choreographers to famous ballets, with music from classical to Head Like a Hole.
This live TV spectacular documents an 18 October 1981 Royal Variety performance in front of the touring Queen Elizabeth and Duke of Edinburgh. Performers in St James Theatre included Ray Columbus (in That's Country mode), Sir Howard Morrison and John Rowles. Dance is represented by Limbs and the Royal New Zealand Ballet, while McPhail and Gadsby and Billy T James deliver pre-PC gags. There’s a show stopping all-singing all-dancing finale, and what seems like the entire roster of NZ showbiz of the time lines up to greet the Queen, including Lynn of Tawa.
This documentary reviews that 1983 Royal Tour downunder by Prince Charles and Princess Diana. The tour was notable for the presence of royal baby William; images of the son and heir playing with a Buzzy Bee on the lawn of Government House in Auckland were published around the world. The royals also visit the ballet, banquet, waka, hongi, plant kauri, and see Red Checkers and firemen’s displays. Prince Charles’s duties include announcing an extra holiday for school kids and he meets younger bro Edward on his gap year (tutoring at Wanganui Collegiate).
Point Your Toes, Cushla! captures a girl's eye view of the final minutes before she goes on stage in a ballet contest — where one wrong move could be a short cut to humiliation. In this case the danger is heightened thanks to a stage mother whose idea of encouragement is constant meddling (played in scene-stealing brilliance by Alison Wall). Low on dialogue but rich in detail, this film by Simon Marler was invited to a number of overseas festivals, where it won a jury diploma in St Petersburg. It also got general release in Kiwi cinemas.
The late 60s saw globetrotting filmmaker Tony Williams shoot and edit two films for Iranian director Mahmoud Khosrowshahi. Here Williams chronicles an east meets west festival held in the Iranian city of Shiraz. Williams’ love affair with music and montage helps lend pace and life to a film whose sonic interests range from Iranian lutes and Indian oboes to American Cathy Berberian, who is busy turning comic strips into song. A glimpse of cosmopolitan Iran prior to the Iranian Revolution, it includes a rare interview with New Yorker classical music critic Andrew Porter.
The theatre of sport is given full-blown operatic treatment in this National Film Unit classic. Footage from the French 1979 rugby tour of New Zealand is rendered in slow-motion and cut to a Tchaikovsky score. The result is an often glorious, sometimes tongue-in-cheek, paean to rugby. Balletic lineouts, driving tackles, and the dark mysteries of the ruck, make for a ballsy Swan Lake in the mud. It includes the Bastille Day French victory over the All Blacks. Directed by NFU stalwart Arthur Everard, it won a jury prize at the Montreal World Film Festival.
Aileen O'Sullivan's and Toby Mills' documentary follows Black Grace as they prepare for an appearance at premier dance festival Jacob's Pillow, in Massachusetts. The film also charts the personal journey of the dance group's founder, choreographer Neil Ieremia, from the community halls of Porirua to the global stage, powered by an unrelenting perfectionism that makes for some heated rehearsal footage. Shortly after the performances shown here, Ieremia fired the entire touring company, rebuilding his vision from scratch. Ken Sparks' editing won an NZ Screen Award.