It was the summer of 1970, six months after Woodstock; local media hyped this Phil Warren-promoted two-day music festival as New Zealand’s version. Despite promises of revolution, it was more low-key with 1500 music fans bussing out to the Swanson holiday park for — as MC Peter Sinclair introduced it — “36 hours of non stop top pops of New Zealand’s top bands”, from psych-rock to gospel. The big star was sometime Bee Gee Robin Gibb, whose high pitch was infamously welcomed with a thrown tomato. This footage was captured for TV by the NZ Broadcasting Corporation.
Loosely based on the case of a real-life computer dealer who acquired international bank records and later died mysteriously on Auckland Harbour Bridge, Spooked marked Geoff Murphy’s first local movie in 15 years (after time directing in Hollywood). Everyman Kevin (Christopher Hobbs) is caught up in a barrage of intimidation after buying some used computer equipment and unwittingly receiving corporate secrets; Cliff Curtis plays the journalist investigating his case. There are also rare cameos by director Vincent Ward and Goodbye Pork Pie star Kelly Johnson.
Big business and a small, struggling rural support town are on a collision course in this good-natured comedy made on a shoestring budget with extensive community goodwill. Policeman, author and film director Stefen Harris reunites the cast from his debut The Waimate Conspiracy, but moves the action up SH1 to Temuka. An adaptation of his novel The Hydrosnipe, it features Mark Hadlow as an amoral corporate trouble-shooter threatening the town’s only petrol station after its recently deceased owner may have stumbled on a priceless scientific breakthrough.
Dropping in on the Americans at the South Pole for afternoon tea, having driven there by tractor, was one of the most unusual events of Derek Wright's career as a National Film Unit cameraman. In his 40 years with the NFU he filled many other roles, from laboratory assistant to producer: but it is for his filming in the Antarctic that he is particularly remembered.
In the course of a 32-year career, Rod Cornelius experienced seismic changes within New Zealand’s television industry firsthand. From his first job with the NZ Broadcasting Corporation through the turbulent remakings of state television in the late 80s and 90s, Cornelius held several key management roles — including TVNZ Controller of Programming and Managing Director of Avalon Studios.
Former Spot On presenter Ian Taylor, CNZM, is the founder of computer graphics company Animation Research Limited. ARL made its name providing real-time sports graphics at the 1992 America's Cup, and has gone on to apply their technology to golf, cricket, tennis and Formula One car-racing around the globe.
As the final manager of the National Film Unit, Doug Eckhoff had the unenviable task of presiding over its demise as the government’s film production agency, and the sale of its assets. Earlier he was a key figure in television news, from the days of the NZ Broadcasting Corporation through to the birth of Television New Zealand. He was also a long-serving trustee of the New Zealand Film Archive (now Ngā Taonga).
Actor and vocal teacher Sylvia Rands’ first big television role was playing Polly Hanlon, wife to the legendary barrister in Hanlon. Nominated again for movie Bonjour Timothy, Rands has gone on to act in Go Girls, Homeward Bound and cult comedy The Neighbourhood Network, inbetween a busy stage career.
The Governor was a television epic that examined the life of Governor George Grey in six thematic parts. Grey's "Good Governor" persona was undercut with laudanum, lechery and land confiscation. NZ TV's first (and only) historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. Auckland Star reviewer Barry Shaw trumpeted: "It has made Māori matter. If Pākehā now have a better understanding of the Māori point of view [...] it stems from The Governor.
This documentary goes behind the scenes on New Zealand television's first historical blockbuster: 1977 George Grey biopic The Governor. Presenter Ian Johnstone looks at how the show reconstructed 19th Century Aotearoa, and handled large scale battle scenes. The footage provides a fascinating snapshot of a young industry. Also examined is The Governor's place in 1970s race politics and its revisionist ambitions. Key players interviewed include creators Keith Aberdein and Tony Isaac, and actors Don Selwyn, Corin Redgrave, Martyn Sanderson, and Terence Cooper.