The path of comedy folk duo Flight of the Conchords is dotted with failure, dismal corporate gigs, globetrotting fans and Grammy Awards. This extended Funny As interview sees Jemaine Clement and Bret McKenzie savouring their memories of the early days, and all the TV shows that got rejected along the way. Among the topics mentioned are: Wearing naked suits on the streets of Melbourne while promoting an early show The perpetual challenge of singing and playing guitar at the same time The Wellington stylings of their comedy — and how creative collaborator Taika Waititi throws a mean pizza McKenzie's opinion that Pulp Comedy "wasn't very flattering or helpful" to the comedians who featured on it How they probably wouldn't have lasted if that infamous, rejected show for TVNZ had ever come to pass How the Conchords got their name
The Video Kid was one of many outlets for the musical talents of Bret McKenzie, who has done time in pop-reggae outfit The Black Seeds, the Wellington International Ukulele Orchestra and, as half of slightly successful folk-parody duo Flight of the Conchords. The Video Kid released his Prototype, his only album to date, in 2004. Described as folk-electronica-meets-synth-over-satire, it received a nomination at that year's b.Net Awards for Best Downbeat Release.
Flight of the Conchords star and onetime Black Seeds musician Bret McKenzie clearly digs Wellington. In this video for solo project The Video Kid, he goes early morning skateboarding through the capital city. The downbeat groove of the folk-electronica number is a perfect match for a glorious 'on a good day' dawn, as the sun rises over Mt Matthews and the crew cruise down Wellington's Alexandra Road and along Mt Victoria's town belt. Later in the golden light they claim a deserted golden mile (Lambton Quay) for the skaters.
This series, made for use as a teaching resource in secondary schools by the NZ Music Industry Commission, was produced and directed by longtime Kiwi music champion Arthur Baysting. The full series featured 47 leading acts (including Don McGlashan, the Black Seeds, Nesian Mystik, Chris Knox and Fat Freddy's Drop) talking directly to the next generation of musicians about their music and careers. They offer intimate performances of classic songs, and heartfelt advice on subjects including songwriting, recording techniques, technology and the music industry.
Wellington band The Black Seeds present the debut episode in this TV series profiling creative Kiwi culture. They begin by going behind the scenes on their action-packed music video Hey Son (with Bret McKenzie donning a Captain Cook meets Freddie Mercury number). There’s an early profile of Auckland graffiti/ streetwear artist Misery (complete with cycle interview, and cameo from artist Elliot 'Askew' O'Donnell), London-based Ta Moko artist Te Rangitu Netana talks about life away from home, and tattooing Robbie Williams; and there’s a piece about skateboarding mag Manual.
Fly My Pretties is a musical collaboration put together by Barnaby Weir of the Black Seeds. The all-star outfit - who come together for live performances - has included members of the Phoenix Foundation, Fat Freddys Drop and Paselode. The group began as a one-off project - a sellout multimedia show performed, filmed and recorded over four nights at Bats Theatre in Wellington in 2004, which was released as a live album and DVD. The one-off nature of the project has expanded nationwide to equally well-received shows.
Age Pryor is a Wellington-based multi-instrumentalist known for his association with creative collective Fly My Pretties, and for his own solo work. Pryor's recordings include collaborations with Wellington musical luminaries from Fat Freddys Drop, Trinity Roots, The Black Seeds and Wellington International Ukelele Orchestra. His musical style blends folk, groove, funk, rock and reggae.
The Wellington studio whiz behind 50Hz, Jeremy Geor, stamped his mark on the country's dance scene in 1997 with the cinematic beats and breaks of debut album Cyclehum. Self-released it was the first full length drum and base release to roll out under the long white cloud. It was judged by industry insiders in Rip It Up as one of Top 100 New Zealand albums of all time. After a five-year hiatus, 50Hz re-emerged with Carbon (Released on Loop Recordings), which featured an impressive list of guest artists, including Ladi6 and the Black Seeds' Barnaby Weir.
A magazine show with an edge, The Living Room did for arts television production what Radio With Pictures did for New Zealand music — it ripped open the venetian blinds, rearranged the plastic-covered cushions, and shone the light on Aotearoa’s homegrown creative culture. Often letting the subjects film and present their own stories, it was produced for three series by Wellington’s Sticky Pictures, who would go on to make another arts showcase, The Gravy. Amidst the calvacade of Kiwi talent, Flight of the Conchords and musician Ladi6 made early screen appearances.
Jemaine Clement is the bespectacled half of folk-comedy duo Flight of the Conchords, who achieved international cult status in their own HBO series. Clement's screen career began after he appeared on 90s sketch shows Telly Laughs and Skitz. Following his big screen debut in Tongan Ninja, he starred in misfit romance Eagle vs Shark. In 2014 he co-directed and acted in hit vampire comedy What We Do in the Shadows.