Judy Callingham has had a long and varied television career as a reporter, presenter, and writer. She first appeared on our screens as a continuity announcer, but then moved on to reporting on the 1960s regional programme Town and Around. Callingham then developed her skills as a television drama writer on shows such as Close to Home, Gloss, Shark in the Park and Shortland Street.
With more than 30 years in the television industry under his belt, veteran drama producer and director Chris Bailey has made a significant contribution to New Zealand’s screen heritage. His many TV credits include Gloss, Mortimer’s Patch, Under the Mountain, Burying Brian, Marlin Bay, City Life, and Greenstone. He was also the first executive producer on Shortland Street. Bailey was a co-founder of production company ScreenWorks which made the popular legal drama Street Legal.
Month by month, this collection offers up NZ On Screen's most viewed clips for 2016. Alongside legendary adverts, the clips collection features talents lost to us over the year, from Ray Columbus to Martin Crowe and Bowie (via Flight of the Conchords). In this backgrounder, NZ On Screen Content Director Kathryn Quirk guides us through the list.
In this collection we pack our lunch boxes and shine the light on a collection of classic pre school, after school and Saturday shows. These programmes were on hand for generations of Kiwis when they were doing (or meant to be doing) homework or chores. Viewers of a certain age will recognise many of the shows (from Play School to Nice One Stu) and presenters (Stu, Jason, Shavaughn, etc). Ka kite, and remember: “Keep cool ’till ...”.
Keep cool till after school. Jeez Wayne. Nice one Stu. The money or the bag? You're not in Guatemala now, Dr Ropata. You know I can't grab your ghost chips. You must always blow on the pie. Those were our people today ... New Zealand television would not be what it is, without those magic moments where someone says a few choice words, reaches inside the viewer, and holds on tight — like the hook to a great song. Sometimes the magic words provoke laughter; sometimes they make viewers feel part of a community. Here are some of the best.
Without food life would not only be boring, but impossible. Television networks obviously agree: scan the TV listings, and cooking programmes are visible everywhere from My Kitchen Rules to Masterchef and Come Dine with Me. This collection offers up a smorgasbord of local chefs and culinary delights, and the chance to look back at a kinder, less competitive style of cooking show. Featuring the legendary Alison Holst, 1960s era import Graham Kerr, Wellington’s Logan and Brown, the sometimes cruel, sometimes kind Hudson and Halls, and more.
Hello Sailor's time in the sun saw them spending time in Ponsonby, LA and Sydney, becoming a legendary live act, and releasing an iconic debut album. This collection features documentary Sailor's Voyage, founder member Harry Lyon's account of the birth of the band, and tracks from Hello Sailor, both together and apart. Some of the solo songs were incorporated into the group's live set after they reunited. Included are 'Blue Lady', 'New Tattoo' and 'Gutter Black’, later reborn on TV's Outrageous Fortune.
South Pacific Pictures marked its 30th anniversary in 2018. With drama production at its core, this collection highlights the production company’s prodigious output. The collection spans everything from Marlin Bay to Westside — including hit movies Sione's Wedding and Whale Rider — plus the long-running and beloved Shortland Street. In the backgrounder, longtime SPP boss John Barnett reminisces, and charts the company’s history.
The Coming-of-Age collection includes many of New Zealand's most beloved films. Featured are grumpy uncles, annoying parents, plus a wide range of children and teens negotiating the challenges of growing older — and wiser. Among the young actors making an early mark are an Oscar-nominated Keisha Castle-Hughes (Whale Rider), James Rolleston (Boy) and 12-year-old Fiona Kaye (Vigil). The titles include Alone, the winner of NZ On Screen's very first ScreenTest film contest. In the backgrounder, young Kiwi actor Thomasin Harcourt McKenzie writes from New York.
It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.