For this short documentary made as part of the Loading Docs series, director Ygnacio Cervio explores mental health awareness from the perspective of someone "who encourages people to make a change, but finds his own struggles on that journey". After losing some close friends to suicide, barber Sam Dowdall decided to take an epic road trip across New Zealand, trading his skills for goods and services and starting conversations with Kiwi men about mental health. With only his dog for company, Dowdall opens up about his own bad days when he has to "eat his own medicine".
This 1974 primer on proper phone manner marks one of the earliest films directed by Sam Neill. Actor turned scriptwriter John Banas plays a polite eccentric calling a company about his telepathic machine, only to face rude behaviour at every turn. Among those failing to bring the nice are two future Gliding On actors: a mullet-haired Ross Jolly, and Grant Tilly, who would rather be eating his sponge finger. Also known as Telephone Etiquette, the film was made by the National Film Unit for the Post Office, back when telephone services were still under its command.
This short film by Clare O'Leary interviews New Zealand women at the forefront of new media design and development around the turn of the millenium. Among those on screen are Emily Loughnan, who moved from televison to co-founding company Click Suite, musician Jordan Reyne, and academic and author Lalita Rajasingham. Many agree that new developments in technology mean increased opportunity for women. The documentary first screened on the BBC World, Life series, as part of the Women Broadcasting for Change network.
Though first established at Wigram in 1923, it wasn't until 1937 that the Royal New Zealand Air Force became an independent military command. This NFU documentary marks the 21st anniversary celebrations in 1958. It looks back at the RNZAF's early days and its battle-hardened contribution in World War II, then follows cadets working towards their ‘wings’ — Top Gun training Kiwi-style. The RNZAF's jets are also seen in action in Malaya; and its search and rescue role is covered. At a celebration dinner, an officer muses that one day planes may be pilotless.
Winner of multiple awards, this 40 minute film aims to teach families how to manage communication with a deaf child. Narrator Peter Brian guides young families through the steps they can take to ensure their deaf child is able to develop speech and communication as effectively as possible. The documentary includes interviews with two deaf adults living full lives. In an early example of crowdfunding, a sponsorship body was set up to fund A Deaf Child in the Family. It was one of a number of shorts written and directed by Frank Chilton which focussed on people living with disabilities.
The language of emotion speaks louder than words in this reallife tale of devotion. Made for the Loading Docs series, the short film introduces us to Wayne, a man with communication difficulties who is aided by his minder and friend Nigel. Directors Kirsty Griffin and Viv Kernick follow Wayne as he negotiates and laments his relationship with close friend Rachel. Griffin's photography and composer Karl Steven's score lend the cinéma vérité style documentary a timeless nuance. Follow-up web series Amy Street introduces viewers to others who live in Wayne's community.
Gina lives in a dark, silent, room in a Wellington rest home, unable to leave her bed, communicate except by a complex touch system, and barely able to move. A rare unnamed genetic disorder has left her living what she calls “an existence, not a life”. This documentary by Wellington film-makers Wendall Cooke and Jeremy Macey takes a look at her condition in relation to euthanasia, for which she is a passionate advocate. As Gina did not want to appear on camera, her sister Roslyn who suffers from the same condition, albeit less severely, portrays her in the film.
In this edition of the National Film Unit's long-running newsreel series 2000 people attend the opening of Palmerston North's brand new railway station (with up-to-the-minute signals, communication technology and cafeteria); under the watchful eye of Prime Minister Keith Holyoake a fashion show is held in Wellington to display New Zealand styles for Australian buyers; and the Osbourne family (complete with toddler) travel the country in a caravan with their road-marking business (and Mum still finds time for the housework too).
This romantic feature is inspired by the couple behind the camera. Kiwi-Samoan filmmaker Nikki Si’ulepa (Snow in Paradise) and Rachel Aneta Wills have dramatised their bumpy journey towards marriage and put it on the big screen. Pākehā single mum Rachel (they’ve kept real names) meets Samoan filmmaker Nikki and is immediately drawn to her, but self-doubt, botched communication and a pesky ex are landmines in wait. Director Si’ulepa wanted to "offer a glimpse into same sex relationships" and tell a "true, romantic love story that people can relate to".
The Five Eyes spy network was set up after WWll to monitor and share intelligence between the United States, Canada, Britain, Australia and NZ. According to this interactive documentary, the network sought a new justification for its existence after the Soviet Union's collapse, and found it in digital communications. Narrated by Lucy Lawless, I Spy aims to inform viewers about just what their local intelligence agencies are up to. Interviewees include journalist Nicky Hager and former NSA and CIA director Michael Hayden. I Spy was funded by a joint Canadian-NZ Digital Media Fund.