This black and white short film explores a relationship triangle — between a Māori woman, her boorish Pākehā husband, and the woman’s protective father, arguing over rights to a farm. It was made as an Auckland University masters project by Li Geng Xin; he wanted to tell a story using visual language, and choses the expressive mode of the silent film to do so. Māori instruments (taonga puoro) and piano are used on the soundtrack. Mrs Mokemoke was selected for the 2015 NZ International Film Festival, in the Ngā Whanaunga Māori Pasifika Shorts programme.
Teen actors Nikki Si'ulepa and Toby Fisher won acclaim in Ian Mune's fourth feature as director. Si'ulepa plays a Samoan street kid who meets a well-off white teen, when both are facing mortality in a hospital ward. The co-production between NZ and Canada (where it debuted on cable TV) won over critics in both nations. "Si'ulepa dominates the camera and the action with a natural authority", raved Metro. Moon scooped the gongs at the 1996 TV Guide Awards (including for originating screenwriter Richard Lymposs); and won notice at Berlin and Giffoni film festivals.
The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?
Emily Chu (award-winner Michelle Ang) is a young ‘banana’ (yellow on the outside, white on the inside) hoping to conceal a cross-cultural romance from her prudish Chinese parents in this romantic dramedy. Director Roseanne Liang’s feature debut draws on her autobiographical ‘video diary’ Banana in a Nutshell, which screened at the 2005 NZ International Film Festival. In the audience was producer John Barnett, who immediately offered to fund an adaptation. On its March 2010 release My Wedding gained several five star reviews, and strong box office.
Greenstone is the tale of a beautiful, missionary-educated Māori woman (Simone Kessell) whose romantic life is subject to the shifting loyalties of her father, Chief Te Manahau (George Henare). The cross-cultural elements of this ambitious colonial bodice-ripper were reflected off-screen as well: created by Greg McGee in response to a call by TV One for a local drama 'saga', the series saw major English creative input through being developed as a co-production with the BBC. After the withdrawal of BBC funding, the Tainui Corporation helped fund the eight-part series.
Prank phone calls were more radio DJ Kevin Black’s on-air stock in trade, but he fronted an unlikely Top 20 hit with this spoof of Deane Waretini’s 1981 chart topper ‘The Bridge’. With more than a little help from his Radio Hauraki creative team, a plea for cross cultural harmony was transformed into a novelty song celebration of a largely unsung domestic appliance. Blackie was front and centre with the souped up fridge in the video shot by TVNZ in Wellington, but producer Kim Adamson was the singer and co-writer (in addition to playing the dodgy salesman).
In the late 80s the creation of a new public park in central Wellington became an act of cross-cultural collaboration, and an infamous battlezone between artist, council and naysayers. Following positive feedback over her design, council staff decided that redevelopment of Pigeon Park (an old pa site) would be led by Māori artist Shona Rapira Davies. This doco follows the passionate, stroppy Rapira Davies, as she fights cost overruns, landscape architects and passersby, and for her vision (which involved handcrafting Te Aro park's 20,000 plus ceramic tiles).
Auckland's Massive Company began in 1998 as a youth theatre group, committed to developing multicultural talent. Sons for the Road records a big moment in their evolution: performing at London's Royal Court Theatre, whose long history includes launching another piece of cross-cultural fertilisation, The Rocky Horror Picture Show. Their play is The Sons of Charlie Paora, a tale of rugby players and troubled male identity developed by Massive and UK writer Lennie James (who would later join the cast of hit The Walking Dead). The Independent called the play "wonderfully engaging".
Amadi is a Rwandan refugee struggling with his new life in New Zealand. Alone, patronised in his menial job (he’s called “Africa” by a workmate), and anxious about rescuing his family from his war-torn ‘home’; he forms an unlikely connection with the prickly lady living next door. Directed by 2009 Spada New Filmmaker of the Year, Zia Mandviwalla, Amadi joined Eating Sausage, Clean Linen, and Cannes-selected Night Shift to form a quartet of Mandviwalla-made shorts exploring cross-cultural collision. It screened at Melbourne and Hawaii international film festivals.
Seventeen-year-old Timothy (Dean O'Gorman from Pork Pie) is facing suspension after a misguided prank. His parents hope the French-Canadian exchange student they’re hosting will settle Tim down, but when ‘Michel’ turns out to be ‘Michelle’ — and spunky — plans go awry. Coming of age and cross-cultural comedy ensues as Tim tries to court his Montreal mademoiselle. Shot around Avondale College, the award-winning NZ-Canadian film got a special mention from the Children’s Jury at the 1996 Berlin Film Festival. The cast includes Angela Bloomfield and Milan Borich.