During the late 80s and early 90s Lindsay Perigo anchored on a run of high profile TVNZ news and current affairs shows, where he gained a reputation as the “doyen of political interviewers” (Metro magazine). The opera-loving broadcaster abandoned television in 1993 — famously calling the medium "braindead" — and reinvented himself as an apostle of libertarian philosophical doctrines (on radio, in print and online).
Marcia Russell, OBE, blazed a trail for women working in print and screen journalism. Her TV work ranged from reporting and documentary making, to Beauty and the Beast panelist, and a key role in the creation of TV3. She was behind the award-winning Revolution series (surveying 80s Labour government reforms), and contributed to major series Landmarks and The New Zealand Wars. Russell died on 1 December 2012.
Regular Māori programmes started on TVNZ in 1980 with Koha, a weekly, 30 minute programme broadcast in English. It was the first regular Māori programme shown in primetime. This episode gets two unique perspectives on the milestone Te Māori exhibition of Māori art. It interviews "American tangata whenua": noted Iroquois artist Peter Jemison, and John Kaaho (Tuhoe), security guard for the exhibition at New York's Metropolitan Museum of Art. Te Māori toured the United States in 1984 and opened up a world of Māori taonga to international audiences.
This episode of Koha episode looks at the milestone Te Māori exhibition of Māori art. The exhibition toured the United States in 1984, opened up a world of Māori taonga to international audiences, and returned home to applause and swelling Māori pride. The episode features the powhiri at the New York Metropolitan Museum of Art, with future Māori Party co-leader Pita Sharples leading a kapa haka performance. Koha - a weekly, 30 minute programme broadcast in English - was the first regular Māori programme shown in primetime, and provided a window into te ao Māori.
Greg McGee's first play Foreskin's Lament (1980) is seen as a watershed moment in the maturing of a distinctly Kiwi theatre. Since then McGee has demonstrated (with tele-movie Old Scores) that rugby can be the stuff of comedy as well as critique. He has also created or co-created a run of television dramas - including long-running law show Street Legal - many of them awardwinners.
With the movie Savage Honeymoon and classic TV show Outrageous Fortune, Mark Beesley established himself as the man to call when dealing with rough and tumble families from West Auckland. Elsewhere the talented director and sometime producer has shown his gift for melding comedy and drama on The Almighty Johnsons, Insiders Guide to Happiness, and Xena: Warrior Princess.
A pioneer of the commercial use of 16mm film in post-war New Zealand, Robert Steele is arguably a lost name in the local screen industry. A portrait photographer who was making amateur films in 1930, he spent several years in his native Australia before returning to NZ for good in 1937. Steele screened his films at workplaces and trade fairs, and was a major producer of commercials in the first decade of Kiwi television.
Ant Timpson’s longtime love affair with movies — especially the wild and 'incredibly strange' end of the spectrum — has seen him launch long-running film festivals and New Zealand's biggest filmmaking contest, 48 Hours. He has been part of the producing team on a run of features, from Housebound to The ABCs of Death. In 2019 Timpson directed thriller Come to Daddy, starring Elijah Wood.
Launched in 1992, Marae is the longest running Māori current affairs programme. It aims to keep its audience in touch with the issues — political or otherwise — that affect Māori, and explain kauapa Māori from a Māori perspective. The Marae Digipoll is seen as a respected barometer of matters Māori. Marae was relaunched briefly in October 2010 as Marae Investigates, presented by Scotty Morrison and Jodi Ihaka Marae (and later Miriama Kamo) . Screening on TV One, Marae is presented half in english and half in te reoi. It is now made by company Pango Productions.
Mortimer’s Patch was a popular drama series following Detective Sergeant Doug Mortimer (Terence Cooper) at work in the town of Cobham. Mortimer plays a city cop returning to his rural roots; Don Selwyn is Sergeant Bob Storey. The series was NZ’s first police drama, and a rare local drama to top ratings. Mortimer's Patch was made when the archetype of the ‘community cop’ everyone knew was still a powerful one, and it was a counterweight to the faceless riot policing of the Springbok Tour. Three series were made.