Kiwi icon Lyn of Tawa (Ginette McDonald) — she of mangled vowel fame — goes on the prowl in search of the ultimate Kiwi bloke. The girl-from-the-suburb's mission takes in the gamut of masculine mythology, from Man Alone to mateship, as Lyn provides manthropological reflections ("can a woman ever be a mate?"). Made when the good keen man was facing up to the challenge from SNAGs, the documentary travels from the West Coast (for sex education) to a men's club, from rugby scrums to rabbit culls, and meets hunters, lawyers, students and gay ten-pin bowlers.
The movie that won splatter king Peter Jackson mainstream respectability was born from writer Fran Walsh's long interest in the Parker-Hulme case: two 1950s teens who invented imaginary worlds, wrote under imaginary personas, and murdered Pauline Parker's mother. Jackson and Walsh's vision of friendship, creativity and tragedy was greeted with Oscar nominations, deals with indie company Miramax, and rhapsodic acclaim for the film, and newbie actors Melanie Lynskey and Kate Winslet. Time magazine and 30 other publications named it one of the year's 10 best films.
Miles (Joel Tobeck) is 16. His family are falling apart and he's got a crush on his cousin. An imminent royal visit offends his mother's political sensibilities and his father is spending time with a female neighbour. Christmas is coming and the twins have murder on their minds. Director Niki (Whale Rider) Caro's survey of the everyday eccentricities of family was nominated for best TV drama scipt and director at the 1994 NZ Film and TV Awards. The film was one of three half-hour dramas commissioned by TVNZ under the series title Another Country. Producer Owen Hughes writes about it here.
Alison (Mary Regan from Heart of the Stag) sets out from Auckland to visit her mother (Elizabeth McRae), who lives alone in the family house. The upcoming reunion triggers strong memories for mother and daughter alike. As an 18-year-old, Alison was angry when her mother felt obliged to support her father's wish that Alison not bother going to university. For creator Shereen Maloney, the film touches on the tensions arising when succeeding generations have differing choices available to them. An experimental short from the anthology series About Face.
"I love the idea of bringing sexiness into the classical arena ..." Made for TVNZ's Artsville series, documentary Farr From Heaven follows Gareth Farr composing and rehearsing a variety of musical pieces, from stage plays to a piece for percussion and orchestra. Written and directed by Roz Mason and narrated by Farr, the documentary shows the versatility of his work as a classical composer and performer (including as transvestite Lilith Lacroix). The full range of his creative process is captured, from composing and arrangement failures, to successful world premieres.
Apemen, Barbie dolls, and hairy shoes ... as this documentary demonstrates, hair turns up everywhere — or not, as one man's poignant and matter-of-fact testimony to the horrors of losing it demonstrates. Hair's co-director, artist Judy Darragh, uses her fascination with all-things hirsute as a springboard for wit, thought-provoking theories, and some unusual artwork. She also phones Welsh author Elaine Morgan, who believes our ancestors lost much of their hair thanks to a semi-aquatic past. Producer Fiona Copland joins Darragh as co-director.
Separation City is a comedy-drama about the complications that ensue as two marriages collapse. Men's groups and midlife crises in contemporary Wellington make up the world in which the multi-national cast explores, in screenwriter Tom Scott's words, "biology and human nature". This feature marks the first solo film script by political cartoonist Scott, who honed his writing skills on a run of TV projects during the two-decade journey to bring the film to the screen. Successful commercials director, Australian-based Kiwi Paul Middleditch, directs.
Jane Sherning Warren’s satirical portrait of the artist as a young woman was one of a series of short films exploring life on the colourful K Road strip. Jaded Arlette (Morgan Albrecht) endures a barrage of art-speak as her posse saunters from her Artspace exhibition opening to Verona Cafe. When the ridiculous art theory of her partner leaves truth far behind, she challenges his cred, and a chase ensues. A drag queen with a pool cue comes to her rescue, and she (and the audience) get an unexpected lesson in how people's identity is a performance.
"...I mean to say, shouldn't I be in love with a fella or something?" Mandy (Richard Hanna), a man who dresses as a woman, describes his relationship with transsexual Jewel (future politician Georgina Beyer). Jewel's Darl concentrates on the fine details of their relationship: tea and biscuits in bed, Jewel's belief in staying strong against other people's mockery, and Mandy's memories of a troubled childhood. Nominated for multiple NZ Film and Television awards after finally getting a TV slot, Peter Wells' drama was inspired by an Anne Kennedy short story, which won the 1983 Katherine Mansfield Award.
Sean's prize possession is a 1958 red and white Ford Fairlane. His sister Annie works in an auto paint shop. But Annie is sick of playing shotgun, while her brother drives. What she wants is Sean's trust, and the chance to use her spraypainting talents to give the Fairlane a new look. After the Fairlane is stolen, the pair find themselves caught up in an adventure which tests their relationship. Writer Debra Daley based the script on a short story she had written about growing up in the ‘car culture' of Henderson, in West Auckland.