Taking its title from a quote from Def Jam's Rick Rubin, NZ's first homegrown house record was a one-off studio project made by four graduates of the punk and post-punk scenes of the late 70s and early 80s — Simon Grigg (Suburban Reptiles manager and Propeller Records boss), Alan Jansson (Steroids and Body Electric), James Pinker (The Features) and Dave Bulog (Car Crash Set). It was released in NZ as a white label 12" 45 and made a brief appearance in the UK club charts. Grigg and Jansson went on to work together on OMC's international hit 'How Bizarre'.
Radio Wha Waho was a pioneering bilingual sitcom about a rural iwi radio station that is close to collapse. Among characters talking back in te reo and getting up to antics on this Māori-style WKRP in Cincinnati are a smoothtalking DJ with delusions of being a ladykiller (a pre-Mrs Semisi Hori Ahipene); a young fireball who wants to graduate to a big station in the city (Greg Mayor, future star of Stewart Main short Twilight of the Gods); and Aunty Doss (Kath Akuhata-Brown), the heart and soul of the whole operation. Produced by TVNZ's Māori department.
Oddly Even was the winner of TVNZ's inaugural New Blood Web Series Competition for emerging screen talents. NZ Broadcasting School graduates Isla Macleod and Ashleigh Reid won $100,000 from TVNZ and NZ On Air to turn it into an eight-part web series, after the public voted their pilot episode the best. The comedy centres on chalk and cheese sisters — aspiring health food entrepreneur Liv, and the straight-talking Frankie, who crashes back into Liv's life and demands a room after going AWOL for eight years. Conflict ensues as the sisters can't see eye to eye.
This Work of Art documentary follows veteran actor and director Ian Mune as he works with NZ Drama School graduates, to write and shoot a 15 minute film in just two days. Many of the actors (who include future bro'Town voice David Fane and Saving Grace's Kirsty Hamilton) have little experience acting for the camera. Mune passes on lessons learned in a career that began long before such tuition was available locally. Shot at Wellington Railway Station, Rush Hour, the resulting film, is included in its entirety during this fascinating insight into the creative process.
This edition of the mid 1990s TV One arts series sees host Alison Parr interviewing literary rising star Emily Perkins, then 26, while the expat author is visiting from London. Perkins talks about her time at drama school, her debut short story collection Not Her Real Name (whose Generation X life stories won international notice), and nerves about her upcoming first novel. The episode opens with poet Bill Manhire talking about book Mutes and Earthquakes, which anthologised the work and processes of his Victoria University creative writing programme. Perkins was a graduate.
Dancer and performer Mika (Neil Gudsell) introduces his urban Māori, Pacific dance troupe Torotoro in this episode from a series made for secondary school music students. He formed the group after seeing an opportunity for a big, young, funky Māori show during his own overseas performances. Torotoro fuses breakdance, kapa haka, hip hop and Pasifika influences, and its members have graduated from Gudsell’s Mika Haka youth programme. They talk about how the opportunity to travel and perform internationally has changed their lives.
This episode of current affairs show Close Up offers a fascinating portrait of the early days of New Zealand's foreign exchange market. Reporter Ted Sheehan heads into "the pit" (trading room), and chronicles the working life of a senior forex dealer, 25-year-old accountancy graduate John Key. The "smiling assassin" (and future Prime Minister) is a calm and earnest presence amongst the young cowboys playing for fortunes and Porsches, months before the 1987 sharemarket crash. As Sheehan says, "they're like addicts who eat, breathe and sleep foreign exchange dealing".
The Ballantyne's Department Store fire in November 1947 claimed 41 lives and left a lasting scar on Christchurch — the city’s biggest single disaster until the 2011 earthquake. The events of that spring day are explored in this short film which intersperses archive footage with a fictional account of workers and customers in the tailoring department as the dramas of everyday life are suddenly overwhelmed. It was directed by Aileen O’Sullivan, shot by Alun Bollinger and made with the NZ Drama School graduating class of 2002 (with music by Gareth Farr).
Canadian-born to New Zealand parents, writer and director Alison Maclean helmed one of the most successful NZ Film Commission-funded short films of all time, Kitchen Sink, which debuted at Cannes and won eight international awards. A graduate of Elam School of Fine Arts, she has directed feature films Crush (which she also wrote) and Jesus’ Son. A director of commercials and television series including Sex and the City and Gossip Girl, Maclean divides her time between New York, Canada and New Zealand, and she is developing several feature films.
Rawiri Paratene (Ngā Puhi) was the first Māori student to graduate from the New Zealand Drama School, and he has since made an indelible mark on the NZ screenscape. Paratene’s small screen career began with a small part on The Governor, and playing Koro in 70s sitcom Joe and Koro. Paratene then hosted daily pre-school show Play School. Paratene is also an acclaimed writer whose credits include the TV dramas Erua and Dead Certs. On the big screen, Paratene has played the role of reformed gang member Mulla in What Becomes of the Broken Hearted?; but it was his role as Koro in Whale Rider that garnered him international recognition.